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DSSSB PGT English Female 2018 Paper-2 Shift-2

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Read the following passage and answer question. (From 1 to 10) Near the end of the 19th century, economist Thorstein Veblen came up with the Idea of conspicuous consumption. Coincidentally (or maybe not), around this time French perfumers mastered the art of selling an inexpensively-produced product as a symbol of decadent luxury. In fact, historian Eugenie Briot points out that the marketing of scents through clever branding, rather than real differences in what's being sold, originated in 19th-century France. Industrialisation transformed the perfume business in the 19th century. Steam engines allowed for mass production on a radically new scale. Between 1880, and 1905, one factory went from a 6- horsepower machine to a 500-horsepower alternative. Machine ground iris root and extracted and infused scents. Factories could now dry perfumed soaps in less than a tenth of the time if had previously taken. In the 1870s, French perfumes also quietly began swapping flowers and other organic materials out for artificial compounds. Scents created with piperonal, a synthetic chemical that happened to smell like the heliotrope flower, quickly became popular with the upper classes. But, as the cost of producing the chemical fell, " helitrope" perfumes descended the class ladder. By the late 1890s it was associated with disreputable members of the lower class. The price of other scent compounds, including vanillin and artificial musk, also dropped precipitously in these years. Some perfumers celebrated the newly widespread availability of perfumes. " One of the outstanding features of the social history of our time is the ascent of the humble classes toward well-being, a luxury, as we could say, until then reserved only to the privileged," one wrote. "Today, the humblest craftsman uses perfumed soap, which he or she can obtain at infinitesimal prices." While some perfume-makers gravitated toward a high-volume, low-price business, other developed ways to keep selling at high prices. the different perfumes were " easily interchangeable," Briot writes, so manufacturers found new ways to sell them. It helped that in the second half of the century, perfumers also achieved a new social status. some were knighted, and others were elected to public office. This fame allowed some of them to transform their names into brands. As competition heated up, Briot writes, "Capitalising on their names was among the first, and best, ways to achieve dominance." Other tactics for selling expensive perfumes to wealthy buyers included displaying them in fancy boutiques and using elaborate packaging. And in a move echoed today in "sponsored content" stories on news sites, high-end perfumers also placed ads disguised as society gossip columns in which highsociety ladies praised their product. As Briot puts it, perfumers differentiated "their produces by conferring a highly symbolic value on them." 1. What is this passage about?
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Read the following passage and answer question. (From 1 to 10) Near the end of the 19th century, economist Thorstein Veblen came up with the Idea of conspicuous consumption. Coincidentally (or maybe not), around this time French perfumers mastered the art of selling an inexpensively-produced product as a symbol of decadent luxury. In fact, historian Eugenie Briot points out that the marketing of scents through clever branding, rather than real differences in what's being sold, originated in 19th-century France. Industrialisation transformed the perfume business in the 19th century. Steam engines allowed for mass production on a radically new scale. Between 1880, and 1905, one factory went from a 6- horsepower machine to a 500-horsepower alternative. Machine ground iris root and extracted and infused scents. Factories could now dry perfumed soaps in less than a tenth of the time if had previously taken. In the 1870s, French perfumes also quietly began swapping flowers and other organic materials out for artificial compounds. Scents created with piperonal, a synthetic chemical that happened to smell like the heliotrope flower, quickly became popular with the upper classes. But, as the cost of producing the chemical fell, " helitrope" perfumes descended the class ladder. By the late 1890s it was associated with disreputable members of the lower class. The price of other scent compounds, including vanillin and artificial musk, also dropped precipitously in these years. Some perfumers celebrated the newly widespread availability of perfumes. " One of the outstanding features of the social history of our time is the ascent of the humble classes toward well-being, a luxury, as we could say, until then reserved only to the privileged," one wrote. "Today, the humblest craftsman uses perfumed soap, which he or she can obtain at infinitesimal prices." While some perfume-makers gravitated toward a high-volume, low-price business, other developed ways to keep selling at high prices. the different perfumes were " easily interchangeable," Briot writes, so manufacturers found new ways to sell them. It helped that in the second half of the century, perfumers also achieved a new social status. some were knighted, and others were elected to public office. This fame allowed some of them to transform their names into brands. As competition heated up, Briot writes, "Capitalising on their names was among the first, and best, ways to achieve dominance." Other tactics for selling expensive perfumes to wealthy buyers included displaying them in fancy boutiques and using elaborate packaging. And in a move echoed today in "sponsored content" stories on news sites, high-end perfumers also placed ads disguised as society gossip columns in which highsociety ladies praised their product. As Briot puts it, perfumers differentiated "their produces by conferring a highly symbolic value on them." What main idea/topic is developed in the third paragraph?
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Read the following passage and answer question. (From 1 to 10) Near the end of the 19th century, economist Thorstein Veblen came up with the Idea of conspicuous consumption. Coincidentally (or maybe not), around this time French perfumers mastered the art of selling an inexpensively-produced product as a symbol of decadent luxury. In fact, historian Eugenie Briot points out that the marketing of scents through clever branding, rather than real differences in what's being sold, originated in 19th-century France. Industrialisation transformed the perfume business in the 19th century. Steam engines allowed for mass production on a radically new scale. Between 1880, and 1905, one factory went from a 6- horsepower machine to a 500-horsepower alternative. Machine ground iris root and extracted and infused scents. Factories could now dry perfumed soaps in less than a tenth of the time if had previously taken. In the 1870s, French perfumes also quietly began swapping flowers and other organic materials out for artificial compounds. Scents created with piperonal, a synthetic chemical that happened to smell like the heliotrope flower, quickly became popular with the upper classes. But, as the cost of producing the chemical fell, " helitrope" perfumes descended the class ladder. By the late 1890s it was associated with disreputable members of the lower class. The price of other scent compounds, including vanillin and artificial musk, also dropped precipitously in these years. Some perfumers celebrated the newly widespread availability of perfumes. " One of the outstanding features of the social history of our time is the ascent of the humble classes toward well-being, a luxury, as we could say, until then reserved only to the privileged," one wrote. "Today, the humblest craftsman uses perfumed soap, which he or she can obtain at infinitesimal prices." While some perfume-makers gravitated toward a high-volume, low-price business, other developed ways to keep selling at high prices. the different perfumes were " easily interchangeable," Briot writes, so manufacturers found new ways to sell them. It helped that in the second half of the century, perfumers also achieved a new social status. some were knighted, and others were elected to public office. This fame allowed some of them to transform their names into brands. As competition heated up, Briot writes, "Capitalising on their names was among the first, and best, ways to achieve dominance." Other tactics for selling expensive perfumes to wealthy buyers included displaying them in fancy boutiques and using elaborate packaging. And in a move echoed today in "sponsored content" stories on news sites, high-end perfumers also placed ads disguised as society gossip columns in which highsociety ladies praised their product. As Briot puts it, perfumers differentiated "their produces by conferring a highly symbolic value on them." The sixth paragraph shows how:
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Read the following passage and answer question. (From 1 to 10) Near the end of the 19th century, economist Thorstein Veblen came up with the Idea of conspicuous consumption. Coincidentally (or maybe not), around this time French perfumers mastered the art of selling an inexpensively-produced product as a symbol of decadent luxury. In fact, historian Eugenie Briot points out that the marketing of scents through clever branding, rather than real differences in what's being sold, originated in 19th-century France. Industrialisation transformed the perfume business in the 19th century. Steam engines allowed for mass production on a radically new scale. Between 1880, and 1905, one factory went from a 6- horsepower machine to a 500-horsepower alternative. Machine ground iris root and extracted and infused scents. Factories could now dry perfumed soaps in less than a tenth of the time if had previously taken. In the 1870s, French perfumes also quietly began swapping flowers and other organic materials out for artificial compounds. Scents created with piperonal, a synthetic chemical that happened to smell like the heliotrope flower, quickly became popular with the upper classes. But, as the cost of producing the chemical fell, " helitrope" perfumes descended the class ladder. By the late 1890s it was associated with disreputable members of the lower class. The price of other scent compounds, including vanillin and artificial musk, also dropped precipitously in these years. Some perfumers celebrated the newly widespread availability of perfumes. " One of the outstanding features of the social history of our time is the ascent of the humble classes toward well-being, a luxury, as we could say, until then reserved only to the privileged," one wrote. "Today, the humblest craftsman uses perfumed soap, which he or she can obtain at infinitesimal prices." While some perfume-makers gravitated toward a high-volume, low-price business, other developed ways to keep selling at high prices. the different perfumes were " easily interchangeable," Briot writes, so manufacturers found new ways to sell them. It helped that in the second half of the century, perfumers also achieved a new social status. some were knighted, and others were elected to public office. This fame allowed some of them to transform their names into brands. As competition heated up, Briot writes, "Capitalising on their names was among the first, and best, ways to achieve dominance." Other tactics for selling expensive perfumes to wealthy buyers included displaying them in fancy boutiques and using elaborate packaging. And in a move echoed today in "sponsored content" stories on news sites, high-end perfumers also placed ads disguised as society gossip columns in which highsociety ladies praised their product. As Briot puts it, perfumers differentiated "their produces by conferring a highly symbolic value on them." The manufacturing process of the French perfume industry and business underwent fundamental changes:
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Read the following passage and answer question. (From 1 to 10) Near the end of the 19th century, economist Thorstein Veblen came up with the Idea of conspicuous consumption. Coincidentally (or maybe not), around this time French perfumers mastered the art of selling an inexpensively-produced product as a symbol of decadent luxury. In fact, historian Eugenie Briot points out that the marketing of scents through clever branding, rather than real differences in what's being sold, originated in 19th-century France. Industrialisation transformed the perfume business in the 19th century. Steam engines allowed for mass production on a radically new scale. Between 1880, and 1905, one factory went from a 6- horsepower machine to a 500-horsepower alternative. Machine ground iris root and extracted and infused scents. Factories could now dry perfumed soaps in less than a tenth of the time if had previously taken. In the 1870s, French perfumes also quietly began swapping flowers and other organic materials out for artificial compounds. Scents created with piperonal, a synthetic chemical that happened to smell like the heliotrope flower, quickly became popular with the upper classes. But, as the cost of producing the chemical fell, " helitrope" perfumes descended the class ladder. By the late 1890s it was associated with disreputable members of the lower class. The price of other scent compounds, including vanillin and artificial musk, also dropped precipitously in these years. Some perfumers celebrated the newly widespread availability of perfumes. " One of the outstanding features of the social history of our time is the ascent of the humble classes toward well-being, a luxury, as we could say, until then reserved only to the privileged," one wrote. "Today, the humblest craftsman uses perfumed soap, which he or she can obtain at infinitesimal prices." While some perfume-makers gravitated toward a high-volume, low-price business, other developed ways to keep selling at high prices. the different perfumes were " easily interchangeable," Briot writes, so manufacturers found new ways to sell them. It helped that in the second half of the century, perfumers also achieved a new social status. some were knighted, and others were elected to public office. This fame allowed some of them to transform their names into brands. As competition heated up, Briot writes, "Capitalising on their names was among the first, and best, ways to achieve dominance." Other tactics for selling expensive perfumes to wealthy buyers included displaying them in fancy boutiques and using elaborate packaging. And in a move echoed today in "sponsored content" stories on news sites, high-end perfumers also placed ads disguised as society gossip columns in which highsociety ladies praised their product. As Briot puts it, perfumers differentiated "their produces by conferring a highly symbolic value on them." When the writer observes, ' The different perfumes were easily interchangeable,' he implies that:
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Read the following passage and answer question. (From 1 to 10) Near the end of the 19th century, economist Thorstein Veblen came up with the Idea of conspicuous consumption. Coincidentally (or maybe not), around this time French perfumers mastered the art of selling an inexpensively-produced product as a symbol of decadent luxury. In fact, historian Eugenie Briot points out that the marketing of scents through clever branding, rather than real differences in what's being sold, originated in 19th-century France. Industrialisation transformed the perfume business in the 19th century. Steam engines allowed for mass production on a radically new scale. Between 1880, and 1905, one factory went from a 6- horsepower machine to a 500-horsepower alternative. Machine ground iris root and extracted and infused scents. Factories could now dry perfumed soaps in less than a tenth of the time if had previously taken. In the 1870s, French perfumes also quietly began swapping flowers and other organic materials out for artificial compounds. Scents created with piperonal, a synthetic chemical that happened to smell like the heliotrope flower, quickly became popular with the upper classes. But, as the cost of producing the chemical fell, " helitrope" perfumes descended the class ladder. By the late 1890s it was associated with disreputable members of the lower class. The price of other scent compounds, including vanillin and artificial musk, also dropped precipitously in these years. Some perfumers celebrated the newly widespread availability of perfumes. " One of the outstanding features of the social history of our time is the ascent of the humble classes toward well-being, a luxury, as we could say, until then reserved only to the privileged," one wrote. "Today, the humblest craftsman uses perfumed soap, which he or she can obtain at infinitesimal prices." While some perfume-makers gravitated toward a high-volume, low-price business, other developed ways to keep selling at high prices. the different perfumes were " easily interchangeable," Briot writes, so manufacturers found new ways to sell them. It helped that in the second half of the century, perfumers also achieved a new social status. some were knighted, and others were elected to public office. This fame allowed some of them to transform their names into brands. As competition heated up, Briot writes, "Capitalising on their names was among the first, and best, ways to achieve dominance." Other tactics for selling expensive perfumes to wealthy buyers included displaying them in fancy boutiques and using elaborate packaging. And in a move echoed today in "sponsored content" stories on news sites, high-end perfumers also placed ads disguised as society gossip columns in which highsociety ladies praised their product. As Briot puts it, perfumers differentiated "their produces by conferring a highly symbolic value on them." Which one the following statements is FALSE?
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Read the following passage and answer question. (From 1 to 10) Near the end of the 19th century, economist Thorstein Veblen came up with the Idea of conspicuous consumption. Coincidentally (or maybe not), around this time French perfumers mastered the art of selling an inexpensively-produced product as a symbol of decadent luxury. In fact, historian Eugenie Briot points out that the marketing of scents through clever branding, rather than real differences in what's being sold, originated in 19th-century France. Industrialisation transformed the perfume business in the 19th century. Steam engines allowed for mass production on a radically new scale. Between 1880, and 1905, one factory went from a 6- horsepower machine to a 500-horsepower alternative. Machine ground iris root and extracted and infused scents. Factories could now dry perfumed soaps in less than a tenth of the time if had previously taken. In the 1870s, French perfumes also quietly began swapping flowers and other organic materials out for artificial compounds. Scents created with piperonal, a synthetic chemical that happened to smell like the heliotrope flower, quickly became popular with the upper classes. But, as the cost of producing the chemical fell, " helitrope" perfumes descended the class ladder. By the late 1890s it was associated with disreputable members of the lower class. The price of other scent compounds, including vanillin and artificial musk, also dropped precipitously in these years. Some perfumers celebrated the newly widespread availability of perfumes. " One of the outstanding features of the social history of our time is the ascent of the humble classes toward well-being, a luxury, as we could say, until then reserved only to the privileged," one wrote. "Today, the humblest craftsman uses perfumed soap, which he or she can obtain at infinitesimal prices." While some perfume-makers gravitated toward a high-volume, low-price business, other developed ways to keep selling at high prices. the different perfumes were " easily interchangeable," Briot writes, so manufacturers found new ways to sell them. It helped that in the second half of the century, perfumers also achieved a new social status. some were knighted, and others were elected to public office. This fame allowed some of them to transform their names into brands. As competition heated up, Briot writes, "Capitalising on their names was among the first, and best, ways to achieve dominance." Other tactics for selling expensive perfumes to wealthy buyers included displaying them in fancy boutiques and using elaborate packaging. And in a move echoed today in "sponsored content" stories on news sites, high-end perfumers also placed ads disguised as society gossip columns in which highsociety ladies praised their product. As Briot puts it, perfumers differentiated "their produces by conferring a highly symbolic value on them." Which one of the following statements is true?
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Read the following passage and answer question. (From 1 to 10) Near the end of the 19th century, economist Thorstein Veblen came up with the Idea of conspicuous consumption. Coincidentally (or maybe not), around this time French perfumers mastered the art of selling an inexpensively-produced product as a symbol of decadent luxury. In fact, historian Eugenie Briot points out that the marketing of scents through clever branding, rather than real differences in what's being sold, originated in 19th-century France. Industrialisation transformed the perfume business in the 19th century. Steam engines allowed for mass production on a radically new scale. Between 1880, and 1905, one factory went from a 6- horsepower machine to a 500-horsepower alternative. Machine ground iris root and extracted and infused scents. Factories could now dry perfumed soaps in less than a tenth of the time if had previously taken. In the 1870s, French perfumes also quietly began swapping flowers and other organic materials out for artificial compounds. Scents created with piperonal, a synthetic chemical that happened to smell like the heliotrope flower, quickly became popular with the upper classes. But, as the cost of producing the chemical fell, " helitrope" perfumes descended the class ladder. By the late 1890s it was associated with disreputable members of the lower class. The price of other scent compounds, including vanillin and artificial musk, also dropped precipitously in these years. Some perfumers celebrated the newly widespread availability of perfumes. " One of the outstanding features of the social history of our time is the ascent of the humble classes toward well-being, a luxury, as we could say, until then reserved only to the privileged," one wrote. "Today, the humblest craftsman uses perfumed soap, which he or she can obtain at infinitesimal prices." While some perfume-makers gravitated toward a high-volume, low-price business, other developed ways to keep selling at high prices. the different perfumes were " easily interchangeable," Briot writes, so manufacturers found new ways to sell them. It helped that in the second half of the century, perfumers also achieved a new social status. some were knighted, and others were elected to public office. This fame allowed some of them to transform their names into brands. As competition heated up, Briot writes, "Capitalising on their names was among the first, and best, ways to achieve dominance." Other tactics for selling expensive perfumes to wealthy buyers included displaying them in fancy boutiques and using elaborate packaging. And in a move echoed today in "sponsored content" stories on news sites, high-end perfumers also placed ads disguised as society gossip columns in which highsociety ladies praised their product. As Briot puts it, perfumers differentiated "their produces by conferring a highly symbolic value on them." Which one of the following options provides an accurate interpretation of the following statement? ... as the cost of producing the chemical fell, "heliotrope" perfumes descended the class ladders.
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Read the following passage and answer question. (From 1 to 10) Near the end of the 19th century, economist Thorstein Veblen came up with the Idea of conspicuous consumption. Coincidentally (or maybe not), around this time French perfumers mastered the art of selling an inexpensively-produced product as a symbol of decadent luxury. In fact, historian Eugenie Briot points out that the marketing of scents through clever branding, rather than real differences in what's being sold, originated in 19th-century France. Industrialisation transformed the perfume business in the 19th century. Steam engines allowed for mass production on a radically new scale. Between 1880, and 1905, one factory went from a 6- horsepower machine to a 500-horsepower alternative. Machine ground iris root and extracted and infused scents. Factories could now dry perfumed soaps in less than a tenth of the time if had previously taken. In the 1870s, French perfumes also quietly began swapping flowers and other organic materials out for artificial compounds. Scents created with piperonal, a synthetic chemical that happened to smell like the heliotrope flower, quickly became popular with the upper classes. But, as the cost of producing the chemical fell, " helitrope" perfumes descended the class ladder. By the late 1890s it was associated with disreputable members of the lower class. The price of other scent compounds, including vanillin and artificial musk, also dropped precipitously in these years. Some perfumers celebrated the newly widespread availability of perfumes. " One of the outstanding features of the social history of our time is the ascent of the humble classes toward well-being, a luxury, as we could say, until then reserved only to the privileged," one wrote. "Today, the humblest craftsman uses perfumed soap, which he or she can obtain at infinitesimal prices." While some perfume-makers gravitated toward a high-volume, low-price business, other developed ways to keep selling at high prices. the different perfumes were " easily interchangeable," Briot writes, so manufacturers found new ways to sell them. It helped that in the second half of the century, perfumers also achieved a new social status. some were knighted, and others were elected to public office. This fame allowed some of them to transform their names into brands. As competition heated up, Briot writes, "Capitalising on their names was among the first, and best, ways to achieve dominance." Other tactics for selling expensive perfumes to wealthy buyers included displaying them in fancy boutiques and using elaborate packaging. And in a move echoed today in "sponsored content" stories on news sites, high-end perfumers also placed ads disguised as society gossip columns in which highsociety ladies praised their product. As Briot puts it, perfumers differentiated "their produces by conferring a highly symbolic value on them." Identify the most appropriate meaning of the highlighted word in the sentence below, according to the context in which it is used in the passage:
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Read the following passage and answer question. (From 1 to 10) Near the end of the 19th century, economist Thorstein Veblen came up with the Idea of conspicuous consumption. Coincidentally (or maybe not), around this time French perfumers mastered the art of selling an inexpensively-produced product as a symbol of decadent luxury. In fact, historian Eugenie Briot points out that the marketing of scents through clever branding, rather than real differences in what's being sold, originated in 19th-century France. Industrialisation transformed the perfume business in the 19th century. Steam engines allowed for mass production on a radically new scale. Between 1880, and 1905, one factory went from a 6- horsepower machine to a 500-horsepower alternative. Machine ground iris root and extracted and infused scents. Factories could now dry perfumed soaps in less than a tenth of the time if had previously taken. In the 1870s, French perfumes also quietly began swapping flowers and other organic materials out for artificial compounds. Scents created with piperonal, a synthetic chemical that happened to smell like the heliotrope flower, quickly became popular with the upper classes. But, as the cost of producing the chemical fell, " helitrope" perfumes descended the class ladder. By the late 1890s it was associated with disreputable members of the lower class. The price of other scent compounds, including vanillin and artificial musk, also dropped precipitously in these years. Some perfumers celebrated the newly widespread availability of perfumes. " One of the outstanding features of the social history of our time is the ascent of the humble classes toward well-being, a luxury, as we could say, until then reserved only to the privileged," one wrote. "Today, the humblest craftsman uses perfumed soap, which he or she can obtain at infinitesimal prices." While some perfume-makers gravitated toward a high-volume, low-price business, other developed ways to keep selling at high prices. the different perfumes were " easily interchangeable," Briot writes, so manufacturers found new ways to sell them. It helped that in the second half of the century, perfumers also achieved a new social status. some were knighted, and others were elected to public office. This fame allowed some of them to transform their names into brands. As competition heated up, Briot writes, "Capitalising on their names was among the first, and best, ways to achieve dominance." Other tactics for selling expensive perfumes to wealthy buyers included displaying them in fancy boutiques and using elaborate packaging. And in a move echoed today in "sponsored content" stories on news sites, high-end perfumers also placed ads disguised as society gossip columns in which highsociety ladies praised their product. As Briot puts it, perfumers differentiated "their produces by conferring a highly symbolic value on them." Identify the correct synonym of the highlighted word in the sentence given below, according to the context in which it is used in the passage: Today, the humblest craftsman uses perfumed soap, which he or she can obtain at infinitesimal prices.
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Read the following passage and answer questions.(From 11 to 20) In the early- to mid-19th century, Americans heard or ignored 'sounds' depending on their ideological predispositions, and perhaps to some extent we still do. After all, this summer many of us will head out for a week of camping in the woods or hiding out in a beachside cabin, eager for the peace and quiet of nature. But why do we think of nature as quiet, when there are squawking birds, crashing waves, and maybe a raucous thunderstorm rolling in? Environmental historian Peter A. Coates points out that what we think of as noise is as much a matter of ideology as decibels. Coates writes that city dwellers have always complained about noise, starting long before industrialisation. " Possessing the power to drive genteel folks to distraction were hammering tinsmiths, carpet-beating maids, whip-cracking, foulmouthed animal drovers, and, not least the purveyors of so-called 'rough music,"' he writes. Horse-drawn carriages made such a racket on city cobblestones that people in the 1890s actually looked forward to the horseless electric carriage as a quieter alternative. But in some times and places, it was nature that was understood as noisy while the sounds of civilised society were considered a gentle comfort. Quoting historian Mark Smith, Coates notes that European settlers in America found the noise of an axe striking a tree an "aural victory over howling wilderness" ___ "howling" evoking Old Testament language suggesting both wild beasts and "equally bloodthirsty and ignoble human savages whose keynote sound was a blood-curding war whoop." To 19th-century modernists, Coates writes, " mechanical sounds and the noisy bustle of commerce bespoke prosperity" while quiet " was synonymous with indolence, backwardness, and stagnation." But romantics like Nathaniel Hawthorne heard the "long shriek" of a distant train whistle as an affront to both the natural sounds of birds and leaves and the preindustrial human sounds of the village clock or the cowbell. " It tells a story of busy men, citizens, from the hot streets," Howthorne wrote. " It brings the noisy world into the midst of our slumberous peace." In 20th century, natural quiet__ or, rather the absence of radios and car horns and the presence of honking geese and howling wolves--- became central to the conservation movement and the creation of natural parks. One founder of the Wilderness Society suggested in 1932 that designated wild areas would " interest the folks in the inexpensive joys of nature in lieu of the jarring jams of jazz." In contrast, "wise use" advocates of the late 20th century hoped human sounds could coexist harmoniously with nature. In 1990, future Interior Secretary Gale Norton argued for the "right to make noise"--- for example by enjoying the natural world from the seat of a snowmobile. When city-dwellers head out into nature this summer, they might just find that the quiet they seek is not external after all. 11. Identify the option that finds and states the main idea that is developed in the passage:
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Read the following passage and answer questions.(From 11 to 20) In the early- to mid-19th century, Americans heard or ignored 'sounds' depending on their ideological predispositions, and perhaps to some extent we still do. After all, this summer many of us will head out for a week of camping in the woods or hiding out in a beachside cabin, eager for the peace and quiet of nature. But why do we think of nature as quiet, when there are squawking birds, crashing waves, and maybe a raucous thunderstorm rolling in? Environmental historian Peter A. Coates points out that what we think of as noise is as much a matter of ideology as decibels. Coates writes that city dwellers have always complained about noise, starting long before industrialisation. " Possessing the power to drive genteel folks to distraction were hammering tinsmiths, carpet-beating maids, whip-cracking, foulmouthed animal drovers, and, not least the purveyors of so-called 'rough music,"' he writes. Horse-drawn carriages made such a racket on city cobblestones that people in the 1890s actually looked forward to the horseless electric carriage as a quieter alternative. But in some times and places, it was nature that was understood as noisy while the sounds of civilised society were considered a gentle comfort. Quoting historian Mark Smith, Coates notes that European settlers in America found the noise of an axe striking a tree an "aural victory over howling wilderness" ___ "howling" evoking Old Testament language suggesting both wild beasts and "equally bloodthirsty and ignoble human savages whose keynote sound was a blood-curding war whoop." To 19th-century modernists, Coates writes, " mechanical sounds and the noisy bustle of commerce bespoke prosperity" while quiet " was synonymous with indolence, backwardness, and stagnation." But romantics like Nathaniel Hawthorne heard the "long shriek" of a distant train whistle as an affront to both the natural sounds of birds and leaves and the preindustrial human sounds of the village clock or the cowbell. " It tells a story of busy men, citizens, from the hot streets," Howthorne wrote. " It brings the noisy world into the midst of our slumberous peace." In 20th century, natural quiet__ or, rather the absence of radios and car horns and the presence of honking geese and howling wolves--- became central to the conservation movement and the creation of natural parks. One founder of the Wilderness Society suggested in 1932 that designated wild areas would " interest the folks in the inexpensive joys of nature in lieu of the jarring jams of jazz." In contrast, "wise use" advocates of the late 20th century hoped human sounds could coexist harmoniously with nature. In 1990, future Interior Secretary Gale Norton argued for the "right to make noise"--- for example by enjoying the natural world from the seat of a snowmobile. When city-dwellers head out into nature this summer, they might just find that the quiet they seek is not external after all. What can be concluded from the following sentence? When city-dwellers head out into nature this summer, they might just find that the quiet they seek is not external after all.
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Read the following passage and answer questions.(From 11 to 20) In the early- to mid-19th century, Americans heard or ignored 'sounds' depending on their ideological predispositions, and perhaps to some extent we still do. After all, this summer many of us will head out for a week of camping in the woods or hiding out in a beachside cabin, eager for the peace and quiet of nature. But why do we think of nature as quiet, when there are squawking birds, crashing waves, and maybe a raucous thunderstorm rolling in? Environmental historian Peter A. Coates points out that what we think of as noise is as much a matter of ideology as decibels. Coates writes that city dwellers have always complained about noise, starting long before industrialisation. " Possessing the power to drive genteel folks to distraction were hammering tinsmiths, carpet-beating maids, whip-cracking, foulmouthed animal drovers, and, not least the purveyors of so-called 'rough music,"' he writes. Horse-drawn carriages made such a racket on city cobblestones that people in the 1890s actually looked forward to the horseless electric carriage as a quieter alternative. But in some times and places, it was nature that was understood as noisy while the sounds of civilised society were considered a gentle comfort. Quoting historian Mark Smith, Coates notes that European settlers in America found the noise of an axe striking a tree an "aural victory over howling wilderness" ___ "howling" evoking Old Testament language suggesting both wild beasts and "equally bloodthirsty and ignoble human savages whose keynote sound was a blood-curding war whoop." To 19th-century modernists, Coates writes, " mechanical sounds and the noisy bustle of commerce bespoke prosperity" while quiet " was synonymous with indolence, backwardness, and stagnation." But romantics like Nathaniel Hawthorne heard the "long shriek" of a distant train whistle as an affront to both the natural sounds of birds and leaves and the preindustrial human sounds of the village clock or the cowbell. " It tells a story of busy men, citizens, from the hot streets," Howthorne wrote. " It brings the noisy world into the midst of our slumberous peace." In 20th century, natural quiet__ or, rather the absence of radios and car horns and the presence of honking geese and howling wolves--- became central to the conservation movement and the creation of natural parks. One founder of the Wilderness Society suggested in 1932 that designated wild areas would " interest the folks in the inexpensive joys of nature in lieu of the jarring jams of jazz." In contrast, "wise use" advocates of the late 20th century hoped human sounds could coexist harmoniously with nature. In 1990, future Interior Secretary Gale Norton argued for the "right to make noise"--- for example by enjoying the natural world from the seat of a snowmobile. When city-dwellers head out into nature this summer, they might just find that the quiet they seek is not external after all. The fifth peragraph develops which of the following ideas?
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Read the following passage and answer questions.(From 11 to 20) In the early- to mid-19th century, Americans heard or ignored 'sounds' depending on their ideological predispositions, and perhaps to some extent we still do. After all, this summer many of us will head out for a week of camping in the woods or hiding out in a beachside cabin, eager for the peace and quiet of nature. But why do we think of nature as quiet, when there are squawking birds, crashing waves, and maybe a raucous thunderstorm rolling in? Environmental historian Peter A. Coates points out that what we think of as noise is as much a matter of ideology as decibels. Coates writes that city dwellers have always complained about noise, starting long before industrialisation. " Possessing the power to drive genteel folks to distraction were hammering tinsmiths, carpet-beating maids, whip-cracking, foulmouthed animal drovers, and, not least the purveyors of so-called 'rough music,"' he writes. Horse-drawn carriages made such a racket on city cobblestones that people in the 1890s actually looked forward to the horseless electric carriage as a quieter alternative. But in some times and places, it was nature that was understood as noisy while the sounds of civilised society were considered a gentle comfort. Quoting historian Mark Smith, Coates notes that European settlers in America found the noise of an axe striking a tree an "aural victory over howling wilderness" ___ "howling" evoking Old Testament language suggesting both wild beasts and "equally bloodthirsty and ignoble human savages whose keynote sound was a blood-curding war whoop." To 19th-century modernists, Coates writes, " mechanical sounds and the noisy bustle of commerce bespoke prosperity" while quiet " was synonymous with indolence, backwardness, and stagnation." But romantics like Nathaniel Hawthorne heard the "long shriek" of a distant train whistle as an affront to both the natural sounds of birds and leaves and the preindustrial human sounds of the village clock or the cowbell. " It tells a story of busy men, citizens, from the hot streets," Howthorne wrote. " It brings the noisy world into the midst of our slumberous peace." In 20th century, natural quiet__ or, rather the absence of radios and car horns and the presence of honking geese and howling wolves--- became central to the conservation movement and the creation of natural parks. One founder of the Wilderness Society suggested in 1932 that designated wild areas would " interest the folks in the inexpensive joys of nature in lieu of the jarring jams of jazz." In contrast, "wise use" advocates of the late 20th century hoped human sounds could coexist harmoniously with nature. In 1990, future Interior Secretary Gale Norton argued for the "right to make noise"--- for example by enjoying the natural world from the seat of a snowmobile. When city-dwellers head out into nature this summer, they might just find that the quiet they seek is not external after all. What did the "wise use" advocates of the late 20th century hope for?
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Read the following passage and answer questions.(From 11 to 20) In the early- to mid-19th century, Americans heard or ignored 'sounds' depending on their ideological predispositions, and perhaps to some extent we still do. After all, this summer many of us will head out for a week of camping in the woods or hiding out in a beachside cabin, eager for the peace and quiet of nature. But why do we think of nature as quiet, when there are squawking birds, crashing waves, and maybe a raucous thunderstorm rolling in? Environmental historian Peter A. Coates points out that what we think of as noise is as much a matter of ideology as decibels. Coates writes that city dwellers have always complained about noise, starting long before industrialisation. " Possessing the power to drive genteel folks to distraction were hammering tinsmiths, carpet-beating maids, whip-cracking, foulmouthed animal drovers, and, not least the purveyors of so-called 'rough music,"' he writes. Horse-drawn carriages made such a racket on city cobblestones that people in the 1890s actually looked forward to the horseless electric carriage as a quieter alternative. But in some times and places, it was nature that was understood as noisy while the sounds of civilised society were considered a gentle comfort. Quoting historian Mark Smith, Coates notes that European settlers in America found the noise of an axe striking a tree an "aural victory over howling wilderness" ___ "howling" evoking Old Testament language suggesting both wild beasts and "equally bloodthirsty and ignoble human savages whose keynote sound was a blood-curding war whoop." To 19th-century modernists, Coates writes, " mechanical sounds and the noisy bustle of commerce bespoke prosperity" while quiet " was synonymous with indolence, backwardness, and stagnation." But romantics like Nathaniel Hawthorne heard the "long shriek" of a distant train whistle as an affront to both the natural sounds of birds and leaves and the preindustrial human sounds of the village clock or the cowbell. " It tells a story of busy men, citizens, from the hot streets," Howthorne wrote. " It brings the noisy world into the midst of our slumberous peace." In 20th century, natural quiet__ or, rather the absence of radios and car horns and the presence of honking geese and howling wolves--- became central to the conservation movement and the creation of natural parks. One founder of the Wilderness Society suggested in 1932 that designated wild areas would " interest the folks in the inexpensive joys of nature in lieu of the jarring jams of jazz." In contrast, "wise use" advocates of the late 20th century hoped human sounds could coexist harmoniously with nature. In 1990, future Interior Secretary Gale Norton argued for the "right to make noise"--- for example by enjoying the natural world from the seat of a snowmobile. When city-dwellers head out into nature this summer, they might just find that the quiet they seek is not external after all. Which one of the following statements is FALSE?
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Read the following passage and answer questions.(From 11 to 20) In the early- to mid-19th century, Americans heard or ignored 'sounds' depending on their ideological predispositions, and perhaps to some extent we still do. After all, this summer many of us will head out for a week of camping in the woods or hiding out in a beachside cabin, eager for the peace and quiet of nature. But why do we think of nature as quiet, when there are squawking birds, crashing waves, and maybe a raucous thunderstorm rolling in? Environmental historian Peter A. Coates points out that what we think of as noise is as much a matter of ideology as decibels. Coates writes that city dwellers have always complained about noise, starting long before industrialisation. " Possessing the power to drive genteel folks to distraction were hammering tinsmiths, carpet-beating maids, whip-cracking, foulmouthed animal drovers, and, not least the purveyors of so-called 'rough music,"' he writes. Horse-drawn carriages made such a racket on city cobblestones that people in the 1890s actually looked forward to the horseless electric carriage as a quieter alternative. But in some times and places, it was nature that was understood as noisy while the sounds of civilised society were considered a gentle comfort. Quoting historian Mark Smith, Coates notes that European settlers in America found the noise of an axe striking a tree an "aural victory over howling wilderness" ___ "howling" evoking Old Testament language suggesting both wild beasts and "equally bloodthirsty and ignoble human savages whose keynote sound was a blood-curding war whoop." To 19th-century modernists, Coates writes, " mechanical sounds and the noisy bustle of commerce bespoke prosperity" while quiet " was synonymous with indolence, backwardness, and stagnation." But romantics like Nathaniel Hawthorne heard the "long shriek" of a distant train whistle as an affront to both the natural sounds of birds and leaves and the preindustrial human sounds of the village clock or the cowbell. " It tells a story of busy men, citizens, from the hot streets," Howthorne wrote. " It brings the noisy world into the midst of our slumberous peace." In 20th century, natural quiet__ or, rather the absence of radios and car horns and the presence of honking geese and howling wolves--- became central to the conservation movement and the creation of natural parks. One founder of the Wilderness Society suggested in 1932 that designated wild areas would " interest the folks in the inexpensive joys of nature in lieu of the jarring jams of jazz." In contrast, "wise use" advocates of the late 20th century hoped human sounds could coexist harmoniously with nature. In 1990, future Interior Secretary Gale Norton argued for the "right to make noise"--- for example by enjoying the natural world from the seat of a snowmobile. When city-dwellers head out into nature this summer, they might just find that the quiet they seek is not external after all. Which one of the following statements is true?
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Read the following passage and answer questions.(From 11 to 20) In the early- to mid-19th century, Americans heard or ignored 'sounds' depending on their ideological predispositions, and perhaps to some extent we still do. After all, this summer many of us will head out for a week of camping in the woods or hiding out in a beachside cabin, eager for the peace and quiet of nature. But why do we think of nature as quiet, when there are squawking birds, crashing waves, and maybe a raucous thunderstorm rolling in? Environmental historian Peter A. Coates points out that what we think of as noise is as much a matter of ideology as decibels. Coates writes that city dwellers have always complained about noise, starting long before industrialisation. " Possessing the power to drive genteel folks to distraction were hammering tinsmiths, carpet-beating maids, whip-cracking, foulmouthed animal drovers, and, not least the purveyors of so-called 'rough music,"' he writes. Horse-drawn carriages made such a racket on city cobblestones that people in the 1890s actually looked forward to the horseless electric carriage as a quieter alternative. But in some times and places, it was nature that was understood as noisy while the sounds of civilised society were considered a gentle comfort. Quoting historian Mark Smith, Coates notes that European settlers in America found the noise of an axe striking a tree an "aural victory over howling wilderness" ___ "howling" evoking Old Testament language suggesting both wild beasts and "equally bloodthirsty and ignoble human savages whose keynote sound was a blood-curding war whoop." To 19th-century modernists, Coates writes, " mechanical sounds and the noisy bustle of commerce bespoke prosperity" while quiet " was synonymous with indolence, backwardness, and stagnation." But romantics like Nathaniel Hawthorne heard the "long shriek" of a distant train whistle as an affront to both the natural sounds of birds and leaves and the preindustrial human sounds of the village clock or the cowbell. " It tells a story of busy men, citizens, from the hot streets," Howthorne wrote. " It brings the noisy world into the midst of our slumberous peace." In 20th century, natural quiet__ or, rather the absence of radios and car horns and the presence of honking geese and howling wolves--- became central to the conservation movement and the creation of natural parks. One founder of the Wilderness Society suggested in 1932 that designated wild areas would " interest the folks in the inexpensive joys of nature in lieu of the jarring jams of jazz." In contrast, "wise use" advocates of the late 20th century hoped human sounds could coexist harmoniously with nature. In 1990, future Interior Secretary Gale Norton argued for the "right to make noise"--- for example by enjoying the natural world from the seat of a snowmobile. When city-dwellers head out into nature this summer, they might just find that the quiet they seek is not external after all. According to the passage, 'noise is as much a matter of ideology as decibels'. Extending this, which one of the following options will encompass both and disturb us as noise.
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Read the following passage and answer questions.(From 11 to 20) In the early- to mid-19th century, Americans heard or ignored 'sounds' depending on their ideological predispositions, and perhaps to some extent we still do. After all, this summer many of us will head out for a week of camping in the woods or hiding out in a beachside cabin, eager for the peace and quiet of nature. But why do we think of nature as quiet, when there are squawking birds, crashing waves, and maybe a raucous thunderstorm rolling in? Environmental historian Peter A. Coates points out that what we think of as noise is as much a matter of ideology as decibels. Coates writes that city dwellers have always complained about noise, starting long before industrialisation. " Possessing the power to drive genteel folks to distraction were hammering tinsmiths, carpet-beating maids, whip-cracking, foulmouthed animal drovers, and, not least the purveyors of so-called 'rough music,"' he writes. Horse-drawn carriages made such a racket on city cobblestones that people in the 1890s actually looked forward to the horseless electric carriage as a quieter alternative. But in some times and places, it was nature that was understood as noisy while the sounds of civilised society were considered a gentle comfort. Quoting historian Mark Smith, Coates notes that European settlers in America found the noise of an axe striking a tree an "aural victory over howling wilderness" ___ "howling" evoking Old Testament language suggesting both wild beasts and "equally bloodthirsty and ignoble human savages whose keynote sound was a blood-curding war whoop." To 19th-century modernists, Coates writes, " mechanical sounds and the noisy bustle of commerce bespoke prosperity" while quiet " was synonymous with indolence, backwardness, and stagnation." But romantics like Nathaniel Hawthorne heard the "long shriek" of a distant train whistle as an affront to both the natural sounds of birds and leaves and the preindustrial human sounds of the village clock or the cowbell. " It tells a story of busy men, citizens, from the hot streets," Howthorne wrote. " It brings the noisy world into the midst of our slumberous peace." In 20th century, natural quiet__ or, rather the absence of radios and car horns and the presence of honking geese and howling wolves--- became central to the conservation movement and the creation of natural parks. One founder of the Wilderness Society suggested in 1932 that designated wild areas would " interest the folks in the inexpensive joys of nature in lieu of the jarring jams of jazz." In contrast, "wise use" advocates of the late 20th century hoped human sounds could coexist harmoniously with nature. In 1990, future Interior Secretary Gale Norton argued for the "right to make noise"--- for example by enjoying the natural world from the seat of a snowmobile. When city-dwellers head out into nature this summer, they might just find that the quiet they seek is not external after all. Which one of the following options provides an accurate interpretation of the following statement? In 1990, future Interior Secretary Gale Norton argued for the "right to make noise" _____ for example by enjoying the natural world from the seat of a snowmobile.
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Read the following passage and answer questions.(From 11 to 20) In the early- to mid-19th century, Americans heard or ignored 'sounds' depending on their ideological predispositions, and perhaps to some extent we still do. After all, this summer many of us will head out for a week of camping in the woods or hiding out in a beachside cabin, eager for the peace and quiet of nature. But why do we think of nature as quiet, when there are squawking birds, crashing waves, and maybe a raucous thunderstorm rolling in? Environmental historian Peter A. Coates points out that what we think of as noise is as much a matter of ideology as decibels. Coates writes that city dwellers have always complained about noise, starting long before industrialisation. " Possessing the power to drive genteel folks to distraction were hammering tinsmiths, carpet-beating maids, whip-cracking, foulmouthed animal drovers, and, not least the purveyors of so-called 'rough music,"' he writes. Horse-drawn carriages made such a racket on city cobblestones that people in the 1890s actually looked forward to the horseless electric carriage as a quieter alternative. But in some times and places, it was nature that was understood as noisy while the sounds of civilised society were considered a gentle comfort. Quoting historian Mark Smith, Coates notes that European settlers in America found the noise of an axe striking a tree an "aural victory over howling wilderness" ___ "howling" evoking Old Testament language suggesting both wild beasts and "equally bloodthirsty and ignoble human savages whose keynote sound was a blood-curding war whoop." To 19th-century modernists, Coates writes, " mechanical sounds and the noisy bustle of commerce bespoke prosperity" while quiet " was synonymous with indolence, backwardness, and stagnation." But romantics like Nathaniel Hawthorne heard the "long shriek" of a distant train whistle as an affront to both the natural sounds of birds and leaves and the preindustrial human sounds of the village clock or the cowbell. " It tells a story of busy men, citizens, from the hot streets," Howthorne wrote. " It brings the noisy world into the midst of our slumberous peace." In 20th century, natural quiet__ or, rather the absence of radios and car horns and the presence of honking geese and howling wolves--- became central to the conservation movement and the creation of natural parks. One founder of the Wilderness Society suggested in 1932 that designated wild areas would " interest the folks in the inexpensive joys of nature in lieu of the jarring jams of jazz." In contrast, "wise use" advocates of the late 20th century hoped human sounds could coexist harmoniously with nature. In 1990, future Interior Secretary Gale Norton argued for the "right to make noise"--- for example by enjoying the natural world from the seat of a snowmobile. When city-dwellers head out into nature this summer, they might just find that the quiet they seek is not external after all. Identify the most appropriate meaning of the highlighted word in the sentence below, according to the context in which it is used in the passage: Hawthorne wrote, "It brings the noise world into the midst of our slumberous peace."
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Read the following passage and answer questions.(From 11 to 20) In the early- to mid-19th century, Americans heard or ignored 'sounds' depending on their ideological predispositions, and perhaps to some extent we still do. After all, this summer many of us will head out for a week of camping in the woods or hiding out in a beachside cabin, eager for the peace and quiet of nature. But why do we think of nature as quiet, when there are squawking birds, crashing waves, and maybe a raucous thunderstorm rolling in? Environmental historian Peter A. Coates points out that what we think of as noise is as much a matter of ideology as decibels. Coates writes that city dwellers have always complained about noise, starting long before industrialisation. " Possessing the power to drive genteel folks to distraction were hammering tinsmiths, carpet-beating maids, whip-cracking, foulmouthed animal drovers, and, not least the purveyors of so-called 'rough music,"' he writes. Horse-drawn carriages made such a racket on city cobblestones that people in the 1890s actually looked forward to the horseless electric carriage as a quieter alternative. But in some times and places, it was nature that was understood as noisy while the sounds of civilised society were considered a gentle comfort. Quoting historian Mark Smith, Coates notes that European settlers in America found the noise of an axe striking a tree an "aural victory over howling wilderness" ___ "howling" evoking Old Testament language suggesting both wild beasts and "equally bloodthirsty and ignoble human savages whose keynote sound was a blood-curding war whoop." To 19th-century modernists, Coates writes, " mechanical sounds and the noisy bustle of commerce bespoke prosperity" while quiet " was synonymous with indolence, backwardness, and stagnation." But romantics like Nathaniel Hawthorne heard the "long shriek" of a distant train whistle as an affront to both the natural sounds of birds and leaves and the preindustrial human sounds of the village clock or the cowbell. " It tells a story of busy men, citizens, from the hot streets," Howthorne wrote. " It brings the noisy world into the midst of our slumberous peace." In 20th century, natural quiet__ or, rather the absence of radios and car horns and the presence of honking geese and howling wolves--- became central to the conservation movement and the creation of natural parks. One founder of the Wilderness Society suggested in 1932 that designated wild areas would " interest the folks in the inexpensive joys of nature in lieu of the jarring jams of jazz." In contrast, "wise use" advocates of the late 20th century hoped human sounds could coexist harmoniously with nature. In 1990, future Interior Secretary Gale Norton argued for the "right to make noise"--- for example by enjoying the natural world from the seat of a snowmobile. When city-dwellers head out into nature this summer, they might just find that the quiet they seek is not external after all. Identity the correct synonym of the highlighted word in the sentence given below, according to the context in which it is used in the passage: Coates notes that European settlers in America found the noise of an axe striking a tree an " aural victory over howling wilderness."
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Read the following passage and answer questions. (From 21 to 30) On the popular Twitter hashtag #notalion, medieval historians and aficionados share the most un-leonine lions from the Middle Ages. One on the edge of an illuminated manuscript smiles gently, its flat face almost human; another from the 11th century seems to smirk with pride at the glory of his mane that radiates like the sun. Why do these lions look, well, not like lions? In early Christian and Romanesque sculpture, " the physiognomy of the lion gradually loses more and more of its animal aspect, and tends, though quaintly, to the human," The obvious explanation is that there weren't that many lions in medieval Europe to model for artists, and the accessible representations for copying had the same lack of realism. However, an art historian points out, there actually were a numbers of lions on the continent, imported from Africa and Asia: There are many accounts of their presence and even their breading, first at various courts and then in the cities; they were kept in Rome by the popes as early as 1100. The city of Florence had lions in the 13th century; lions were at Ghent's court in the 15th century. So, it's not impossible that first-hand accounts of lions were available to artists _ an artist made a drawing of a lion ' al vif' ['from life'] in the 13th century-though where he saw the animal is unknown. The inaccuracy of medieval lions may have been a stylistic preference, particularly in a bestiary, or compendium of beasts. Because the artists chose to illustrate the animals rather than their accompanying moralisations, they had more freedom of choice in their imagery. for example, the picture in the 12th or 13th - century Ashmole Bestiary, in which a big lion is depicted as cowering in terror at a rooster, relates this supposed cowardly attribute of the lion! Lions were also prevalent on medieval door knockers, where they were represented as stern guardians. They regularly appeared on the heraldry of European royalty, their predatory poses symbolising authority and a noble independence. There was likely some hearsay involved in the imperfect medieval lions, yet the artists were often breaking with nature to express an idea. Rather than mistakes, these #notalion specimens can be viewed as artistic decisions, albeit ones which appear delightfully strange to our modern eyes. 21. What is the passage about?
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Read the following passage and answer questions. (From 21 to 30) On the popular Twitter hashtag #notalion, medieval historians and aficionados share the most un-leonine lions from the Middle Ages. One on the edge of an illuminated manuscript smiles gently, its flat face almost human; another from the 11th century seems to smirk with pride at the glory of his mane that radiates like the sun. Why do these lions look, well, not like lions? In early Christian and Romanesque sculpture, " the physiognomy of the lion gradually loses more and more of its animal aspect, and tends, though quaintly, to the human," The obvious explanation is that there weren't that many lions in medieval Europe to model for artists, and the accessible representations for copying had the same lack of realism. However, an art historian points out, there actually were a numbers of lions on the continent, imported from Africa and Asia: There are many accounts of their presence and even their breading, first at various courts and then in the cities; they were kept in Rome by the popes as early as 1100. The city of Florence had lions in the 13th century; lions were at Ghent's court in the 15th century. So, it's not impossible that first-hand accounts of lions were available to artists _ an artist made a drawing of a lion ' al vif' ['from life'] in the 13th century-though where he saw the animal is unknown. The inaccuracy of medieval lions may have been a stylistic preference, particularly in a bestiary, or compendium of beasts. Because the artists chose to illustrate the animals rather than their accompanying moralisations, they had more freedom of choice in their imagery. for example, the picture in the 12th or 13th - century Ashmole Bestiary, in which a big lion is depicted as cowering in terror at a rooster, relates this supposed cowardly attribute of the lion! Lions were also prevalent on medieval door knockers, where they were represented as stern guardians. They regularly appeared on the heraldry of European royalty, their predatory poses symbolising authority and a noble independence. There was likely some hearsay involved in the imperfect medieval lions, yet the artists were often breaking with nature to express an idea. Rather than mistakes, these #notalion specimens can be viewed as artistic decisions, albeit ones which appear delightfully strange to our modern eyes. What does the author imply by the following sentence from the passage? In early Christian and Romanesque sculpture, "the physiognomy of the lion gradually loses more and more of its animal aspect, and tends, though quaintly, to the human."
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Read the following passage and answer questions. (From 21 to 30) On the popular Twitter hashtag #notalion, medieval historians and aficionados share the most un-leonine lions from the Middle Ages. One on the edge of an illuminated manuscript smiles gently, its flat face almost human; another from the 11th century seems to smirk with pride at the glory of his mane that radiates like the sun. Why do these lions look, well, not like lions? In early Christian and Romanesque sculpture, " the physiognomy of the lion gradually loses more and more of its animal aspect, and tends, though quaintly, to the human," The obvious explanation is that there weren't that many lions in medieval Europe to model for artists, and the accessible representations for copying had the same lack of realism. However, an art historian points out, there actually were a numbers of lions on the continent, imported from Africa and Asia: There are many accounts of their presence and even their breading, first at various courts and then in the cities; they were kept in Rome by the popes as early as 1100. The city of Florence had lions in the 13th century; lions were at Ghent's court in the 15th century. So, it's not impossible that first-hand accounts of lions were available to artists _ an artist made a drawing of a lion ' al vif' ['from life'] in the 13th century-though where he saw the animal is unknown. The inaccuracy of medieval lions may have been a stylistic preference, particularly in a bestiary, or compendium of beasts. Because the artists chose to illustrate the animals rather than their accompanying moralisations, they had more freedom of choice in their imagery. for example, the picture in the 12th or 13th - century Ashmole Bestiary, in which a big lion is depicted as cowering in terror at a rooster, relates this supposed cowardly attribute of the lion! Lions were also prevalent on medieval door knockers, where they were represented as stern guardians. They regularly appeared on the heraldry of European royalty, their predatory poses symbolising authority and a noble independence. There was likely some hearsay involved in the imperfect medieval lions, yet the artists were often breaking with nature to express an idea. Rather than mistakes, these #notalion specimens can be viewed as artistic decisions, albeit ones which appear delightfully strange to our modern eyes. What is the first paragraph about?
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Read the following passage and answer questions. (From 21 to 30) On the popular Twitter hashtag #notalion, medieval historians and aficionados share the most un-leonine lions from the Middle Ages. One on the edge of an illuminated manuscript smiles gently, its flat face almost human; another from the 11th century seems to smirk with pride at the glory of his mane that radiates like the sun. Why do these lions look, well, not like lions? In early Christian and Romanesque sculpture, " the physiognomy of the lion gradually loses more and more of its animal aspect, and tends, though quaintly, to the human," The obvious explanation is that there weren't that many lions in medieval Europe to model for artists, and the accessible representations for copying had the same lack of realism. However, an art historian points out, there actually were a numbers of lions on the continent, imported from Africa and Asia: There are many accounts of their presence and even their breading, first at various courts and then in the cities; they were kept in Rome by the popes as early as 1100. The city of Florence had lions in the 13th century; lions were at Ghent's court in the 15th century. So, it's not impossible that first-hand accounts of lions were available to artists _ an artist made a drawing of a lion ' al vif' ['from life'] in the 13th century-though where he saw the animal is unknown. The inaccuracy of medieval lions may have been a stylistic preference, particularly in a bestiary, or compendium of beasts. Because the artists chose to illustrate the animals rather than their accompanying moralisations, they had more freedom of choice in their imagery. for example, the picture in the 12th or 13th - century Ashmole Bestiary, in which a big lion is depicted as cowering in terror at a rooster, relates this supposed cowardly attribute of the lion! Lions were also prevalent on medieval door knockers, where they were represented as stern guardians. They regularly appeared on the heraldry of European royalty, their predatory poses symbolising authority and a noble independence. There was likely some hearsay involved in the imperfect medieval lions, yet the artists were often breaking with nature to express an idea. Rather than mistakes, these #notalion specimens can be viewed as artistic decisions, albeit ones which appear delightfully strange to our modern eyes. When a big lion is depicted as cowering in terror at a rooster, it is done so because:
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Read the following passage and answer questions. (From 21 to 30) On the popular Twitter hashtag #notalion, medieval historians and aficionados share the most un-leonine lions from the Middle Ages. One on the edge of an illuminated manuscript smiles gently, its flat face almost human; another from the 11th century seems to smirk with pride at the glory of his mane that radiates like the sun. Why do these lions look, well, not like lions? In early Christian and Romanesque sculpture, " the physiognomy of the lion gradually loses more and more of its animal aspect, and tends, though quaintly, to the human," The obvious explanation is that there weren't that many lions in medieval Europe to model for artists, and the accessible representations for copying had the same lack of realism. However, an art historian points out, there actually were a numbers of lions on the continent, imported from Africa and Asia: There are many accounts of their presence and even their breading, first at various courts and then in the cities; they were kept in Rome by the popes as early as 1100. The city of Florence had lions in the 13th century; lions were at Ghent's court in the 15th century. So, it's not impossible that first-hand accounts of lions were available to artists _ an artist made a drawing of a lion ' al vif' ['from life'] in the 13th century-though where he saw the animal is unknown. The inaccuracy of medieval lions may have been a stylistic preference, particularly in a bestiary, or compendium of beasts. Because the artists chose to illustrate the animals rather than their accompanying moralisations, they had more freedom of choice in their imagery. for example, the picture in the 12th or 13th - century Ashmole Bestiary, in which a big lion is depicted as cowering in terror at a rooster, relates this supposed cowardly attribute of the lion! Lions were also prevalent on medieval door knockers, where they were represented as stern guardians. They regularly appeared on the heraldry of European royalty, their predatory poses symbolising authority and a noble independence. There was likely some hearsay involved in the imperfect medieval lions, yet the artists were often breaking with nature to express an idea. Rather than mistakes, these #notalion specimens can be viewed as artistic decisions, albeit ones which appear delightfully strange to our modern eyes. Which one of the following statements is true?
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[ADSENSE]
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Read the following passage and answer questions. (From 21 to 30) On the popular Twitter hashtag #notalion, medieval historians and aficionados share the most un-leonine lions from the Middle Ages. One on the edge of an illuminated manuscript smiles gently, its flat face almost human; another from the 11th century seems to smirk with pride at the glory of his mane that radiates like the sun. Why do these lions look, well, not like lions? In early Christian and Romanesque sculpture, " the physiognomy of the lion gradually loses more and more of its animal aspect, and tends, though quaintly, to the human," The obvious explanation is that there weren't that many lions in medieval Europe to model for artists, and the accessible representations for copying had the same lack of realism. However, an art historian points out, there actually were a numbers of lions on the continent, imported from Africa and Asia: There are many accounts of their presence and even their breading, first at various courts and then in the cities; they were kept in Rome by the popes as early as 1100. The city of Florence had lions in the 13th century; lions were at Ghent's court in the 15th century. So, it's not impossible that first-hand accounts of lions were available to artists _ an artist made a drawing of a lion ' al vif' ['from life'] in the 13th century-though where he saw the animal is unknown. The inaccuracy of medieval lions may have been a stylistic preference, particularly in a bestiary, or compendium of beasts. Because the artists chose to illustrate the animals rather than their accompanying moralisations, they had more freedom of choice in their imagery. for example, the picture in the 12th or 13th - century Ashmole Bestiary, in which a big lion is depicted as cowering in terror at a rooster, relates this supposed cowardly attribute of the lion! Lions were also prevalent on medieval door knockers, where they were represented as stern guardians. They regularly appeared on the heraldry of European royalty, their predatory poses symbolising authority and a noble independence. There was likely some hearsay involved in the imperfect medieval lions, yet the artists were often breaking with nature to express an idea. Rather than mistakes, these #notalion specimens can be viewed as artistic decisions, albeit ones which appear delightfully strange to our modern eyes. Which one of the following statements is FALSE?
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Read the following passage and answer questions. (From 21 to 30) On the popular Twitter hashtag #notalion, medieval historians and aficionados share the most un-leonine lions from the Middle Ages. One on the edge of an illuminated manuscript smiles gently, its flat face almost human; another from the 11th century seems to smirk with pride at the glory of his mane that radiates like the sun. Why do these lions look, well, not like lions? In early Christian and Romanesque sculpture, " the physiognomy of the lion gradually loses more and more of its animal aspect, and tends, though quaintly, to the human," The obvious explanation is that there weren't that many lions in medieval Europe to model for artists, and the accessible representations for copying had the same lack of realism. However, an art historian points out, there actually were a numbers of lions on the continent, imported from Africa and Asia: There are many accounts of their presence and even their breading, first at various courts and then in the cities; they were kept in Rome by the popes as early as 1100. The city of Florence had lions in the 13th century; lions were at Ghent's court in the 15th century. So, it's not impossible that first-hand accounts of lions were available to artists _ an artist made a drawing of a lion ' al vif' ['from life'] in the 13th century-though where he saw the animal is unknown. The inaccuracy of medieval lions may have been a stylistic preference, particularly in a bestiary, or compendium of beasts. Because the artists chose to illustrate the animals rather than their accompanying moralisations, they had more freedom of choice in their imagery. for example, the picture in the 12th or 13th - century Ashmole Bestiary, in which a big lion is depicted as cowering in terror at a rooster, relates this supposed cowardly attribute of the lion! Lions were also prevalent on medieval door knockers, where they were represented as stern guardians. They regularly appeared on the heraldry of European royalty, their predatory poses symbolising authority and a noble independence. There was likely some hearsay involved in the imperfect medieval lions, yet the artists were often breaking with nature to express an idea. Rather than mistakes, these #notalion specimens can be viewed as artistic decisions, albeit ones which appear delightfully strange to our modern eyes. Which of the following inferences may be made from this sentence in the passage? " They regularly appeared on the heraldry of European royalty, their predatory poses symbolising authority and a noble independence ..."
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Read the following passage and answer questions. (From 21 to 30) On the popular Twitter hashtag #notalion, medieval historians and aficionados share the most un-leonine lions from the Middle Ages. One on the edge of an illuminated manuscript smiles gently, its flat face almost human; another from the 11th century seems to smirk with pride at the glory of his mane that radiates like the sun. Why do these lions look, well, not like lions? In early Christian and Romanesque sculpture, " the physiognomy of the lion gradually loses more and more of its animal aspect, and tends, though quaintly, to the human," The obvious explanation is that there weren't that many lions in medieval Europe to model for artists, and the accessible representations for copying had the same lack of realism. However, an art historian points out, there actually were a numbers of lions on the continent, imported from Africa and Asia: There are many accounts of their presence and even their breading, first at various courts and then in the cities; they were kept in Rome by the popes as early as 1100. The city of Florence had lions in the 13th century; lions were at Ghent's court in the 15th century. So, it's not impossible that first-hand accounts of lions were available to artists _ an artist made a drawing of a lion ' al vif' ['from life'] in the 13th century-though where he saw the animal is unknown. The inaccuracy of medieval lions may have been a stylistic preference, particularly in a bestiary, or compendium of beasts. Because the artists chose to illustrate the animals rather than their accompanying moralisations, they had more freedom of choice in their imagery. for example, the picture in the 12th or 13th - century Ashmole Bestiary, in which a big lion is depicted as cowering in terror at a rooster, relates this supposed cowardly attribute of the lion! Lions were also prevalent on medieval door knockers, where they were represented as stern guardians. They regularly appeared on the heraldry of European royalty, their predatory poses symbolising authority and a noble independence. There was likely some hearsay involved in the imperfect medieval lions, yet the artists were often breaking with nature to express an idea. Rather than mistakes, these #notalion specimens can be viewed as artistic decisions, albeit ones which appear delightfully strange to our modern eyes. Which of the following options provides as accurate paraphrase of the following statement? It's not impossible that first-hand accounts of lions were available to artists.
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Read the following passage and answer questions. (From 21 to 30) On the popular Twitter hashtag #notalion, medieval historians and aficionados share the most un-leonine lions from the Middle Ages. One on the edge of an illuminated manuscript smiles gently, its flat face almost human; another from the 11th century seems to smirk with pride at the glory of his mane that radiates like the sun. Why do these lions look, well, not like lions? In early Christian and Romanesque sculpture, " the physiognomy of the lion gradually loses more and more of its animal aspect, and tends, though quaintly, to the human," The obvious explanation is that there weren't that many lions in medieval Europe to model for artists, and the accessible representations for copying had the same lack of realism. However, an art historian points out, there actually were a numbers of lions on the continent, imported from Africa and Asia: There are many accounts of their presence and even their breading, first at various courts and then in the cities; they were kept in Rome by the popes as early as 1100. The city of Florence had lions in the 13th century; lions were at Ghent's court in the 15th century. So, it's not impossible that first-hand accounts of lions were available to artists _ an artist made a drawing of a lion ' al vif' ['from life'] in the 13th century-though where he saw the animal is unknown. The inaccuracy of medieval lions may have been a stylistic preference, particularly in a bestiary, or compendium of beasts. Because the artists chose to illustrate the animals rather than their accompanying moralisations, they had more freedom of choice in their imagery. for example, the picture in the 12th or 13th - century Ashmole Bestiary, in which a big lion is depicted as cowering in terror at a rooster, relates this supposed cowardly attribute of the lion! Lions were also prevalent on medieval door knockers, where they were represented as stern guardians. They regularly appeared on the heraldry of European royalty, their predatory poses symbolising authority and a noble independence. There was likely some hearsay involved in the imperfect medieval lions, yet the artists were often breaking with nature to express an idea. Rather than mistakes, these #notalion specimens can be viewed as artistic decisions, albeit ones which appear delightfully strange to our modern eyes. Identify the most appropriate meaning of the highlighted word in the sentence below, according to the context in which it is used in the passage: Because the artists chose to illustrate the animals rather than their accompanying moralisations, they had more freedom of choice in their imagery.
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Read the following passage and answer questions. (From 21 to 30) On the popular Twitter hashtag #notalion, medieval historians and aficionados share the most un-leonine lions from the Middle Ages. One on the edge of an illuminated manuscript smiles gently, its flat face almost human; another from the 11th century seems to smirk with pride at the glory of his mane that radiates like the sun. Why do these lions look, well, not like lions? In early Christian and Romanesque sculpture, " the physiognomy of the lion gradually loses more and more of its animal aspect, and tends, though quaintly, to the human," The obvious explanation is that there weren't that many lions in medieval Europe to model for artists, and the accessible representations for copying had the same lack of realism. However, an art historian points out, there actually were a numbers of lions on the continent, imported from Africa and Asia: There are many accounts of their presence and even their breading, first at various courts and then in the cities; they were kept in Rome by the popes as early as 1100. The city of Florence had lions in the 13th century; lions were at Ghent's court in the 15th century. So, it's not impossible that first-hand accounts of lions were available to artists _ an artist made a drawing of a lion ' al vif' ['from life'] in the 13th century-though where he saw the animal is unknown. The inaccuracy of medieval lions may have been a stylistic preference, particularly in a bestiary, or compendium of beasts. Because the artists chose to illustrate the animals rather than their accompanying moralisations, they had more freedom of choice in their imagery. for example, the picture in the 12th or 13th - century Ashmole Bestiary, in which a big lion is depicted as cowering in terror at a rooster, relates this supposed cowardly attribute of the lion! Lions were also prevalent on medieval door knockers, where they were represented as stern guardians. They regularly appeared on the heraldry of European royalty, their predatory poses symbolising authority and a noble independence. There was likely some hearsay involved in the imperfect medieval lions, yet the artists were often breaking with nature to express an idea. Rather than mistakes, these #notalion specimens can be viewed as artistic decisions, albeit ones which appear delightfully strange to our modern eyes. Identify the correct synonym of the highlighted word in the sentence given below, according to the context in which it is used in the passage: Lions were also prevalent of medieval door knockers, where they were represented as stern guardians.
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[ADSENSE]
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Read the following passage and answer questions (From 31 to 40). Readers of adventure stories such 'Treasure Island' or 'Sherlock Holmes' might remember how the seemingly harmless " black spot," a mere scrap of paper, or an envelope of just five orange pips, were a palpable source of fear for those who knew the code of the secret society who used them. Being singled out or " marked for death" in this way, rather than an obscure joke, was nothing less than a threat for those who understood the symbol. Language can encode many more nuances than just literal meanings or grammatical functions even when it comes to humble punctuation, secret languages of the register of a particular subculture. Interestingly, even in ordinary, everyday language use, the very words and expressions we use are already marked for our cultural and social biases, so much so that we're often not even aware of it. It reveals our underlying assumptions about what we may consider normal, default, regular--even positive or desirable in certain contexts. This has an impact on how we view their opposites--the abnormal, unusual, irregular, negative undesirable. Take a pair of simple antonyms such as happy/unhappy. The word "happy" is considered more of a default, normal, perhaps more desirable state in English, while "unhappy" is considered more " marked," and we know this because it's actively morphologically marked with a prefix - un. This idea, known as markedness, is a concept that is applied from linguistics to psychology, cognitive science and sociology; the concept is particularly useful for describing certain contrasts and constructs. To put it very simply, the insight into markedness is this: in a contrasting pair, you might expect an equal binary relationship, but you'll often find that the relationship is not equal, it's asymmetric. One is usually considered generic ( the unmarked) and in many cases, is a default state favored above the other (the marked) Unmarked words in English are often favored as more positive, such as in happy/sad, friendly/unfriendly, clean/unclean or dirty, even when there may be no overt morphological marking. Researchers have noted how pairs like man/woman, while considered politically or socially equal, linguistically are unequal, not just because " woman" is marked, but because " man" can still be understood as a generic for the human race while " woman" is never used in that way. It's revealing how we mark these words in common expressions that are not even politically charged at all, like "she' s four feet tall":! 31. What is this passage about?
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Read the following passage and answer questions (From 31 to 40). Readers of adventure stories such 'Treasure Island' or 'Sherlock Holmes' might remember how the seemingly harmless " black spot," a mere scrap of paper, or an envelope of just five orange pips, were a palpable source of fear for those who knew the code of the secret society who used them. Being singled out or " marked for death" in this way, rather than an obscure joke, was nothing less than a threat for those who understood the symbol. Language can encode many more nuances than just literal meanings or grammatical functions even when it comes to humble punctuation, secret languages of the register of a particular subculture. Interestingly, even in ordinary, everyday language use, the very words and expressions we use are already marked for our cultural and social biases, so much so that we're often not even aware of it. It reveals our underlying assumptions about what we may consider normal, default, regular--even positive or desirable in certain contexts. This has an impact on how we view their opposites--the abnormal, unusual, irregular, negative undesirable. Take a pair of simple antonyms such as happy/unhappy. The word "happy" is considered more of a default, normal, perhaps more desirable state in English, while "unhappy" is considered more " marked," and we know this because it's actively morphologically marked with a prefix - un. This idea, known as markedness, is a concept that is applied from linguistics to psychology, cognitive science and sociology; the concept is particularly useful for describing certain contrasts and constructs. To put it very simply, the insight into markedness is this: in a contrasting pair, you might expect an equal binary relationship, but you'll often find that the relationship is not equal, it's asymmetric. One is usually considered generic ( the unmarked) and in many cases, is a default state favored above the other (the marked) Unmarked words in English are often favored as more positive, such as in happy/sad, friendly/unfriendly, clean/unclean or dirty, even when there may be no overt morphological marking. Researchers have noted how pairs like man/woman, while considered politically or socially equal, linguistically are unequal, not just because " woman" is marked, but because " man" can still be understood as a generic for the human race while " woman" is never used in that way. It's revealing how we mark these words in common expressions that are not even politically charged at all, like "she' s four feet tall":! The concept/construct of markedness is used in psychology, cognitive science and sociology. Study the examples below and identify the option in which markedness cannot be percerived:
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Read the following passage and answer questions (From 31 to 40). Readers of adventure stories such 'Treasure Island' or 'Sherlock Holmes' might remember how the seemingly harmless " black spot," a mere scrap of paper, or an envelope of just five orange pips, were a palpable source of fear for those who knew the code of the secret society who used them. Being singled out or " marked for death" in this way, rather than an obscure joke, was nothing less than a threat for those who understood the symbol. Language can encode many more nuances than just literal meanings or grammatical functions even when it comes to humble punctuation, secret languages of the register of a particular subculture. Interestingly, even in ordinary, everyday language use, the very words and expressions we use are already marked for our cultural and social biases, so much so that we're often not even aware of it. It reveals our underlying assumptions about what we may consider normal, default, regular--even positive or desirable in certain contexts. This has an impact on how we view their opposites--the abnormal, unusual, irregular, negative undesirable. Take a pair of simple antonyms such as happy/unhappy. The word "happy" is considered more of a default, normal, perhaps more desirable state in English, while "unhappy" is considered more " marked," and we know this because it's actively morphologically marked with a prefix - un. This idea, known as markedness, is a concept that is applied from linguistics to psychology, cognitive science and sociology; the concept is particularly useful for describing certain contrasts and constructs. To put it very simply, the insight into markedness is this: in a contrasting pair, you might expect an equal binary relationship, but you'll often find that the relationship is not equal, it's asymmetric. One is usually considered generic ( the unmarked) and in many cases, is a default state favored above the other (the marked) Unmarked words in English are often favored as more positive, such as in happy/sad, friendly/unfriendly, clean/unclean or dirty, even when there may be no overt morphological marking. Researchers have noted how pairs like man/woman, while considered politically or socially equal, linguistically are unequal, not just because " woman" is marked, but because " man" can still be understood as a generic for the human race while " woman" is never used in that way. It's revealing how we mark these words in common expressions that are not even politically charged at all, like "she' s four feet tall":! The third paragraph _____.
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Read the following passage and answer questions (From 31 to 40). Readers of adventure stories such 'Treasure Island' or 'Sherlock Holmes' might remember how the seemingly harmless " black spot," a mere scrap of paper, or an envelope of just five orange pips, were a palpable source of fear for those who knew the code of the secret society who used them. Being singled out or " marked for death" in this way, rather than an obscure joke, was nothing less than a threat for those who understood the symbol. Language can encode many more nuances than just literal meanings or grammatical functions even when it comes to humble punctuation, secret languages of the register of a particular subculture. Interestingly, even in ordinary, everyday language use, the very words and expressions we use are already marked for our cultural and social biases, so much so that we're often not even aware of it. It reveals our underlying assumptions about what we may consider normal, default, regular--even positive or desirable in certain contexts. This has an impact on how we view their opposites--the abnormal, unusual, irregular, negative undesirable. Take a pair of simple antonyms such as happy/unhappy. The word "happy" is considered more of a default, normal, perhaps more desirable state in English, while "unhappy" is considered more " marked," and we know this because it's actively morphologically marked with a prefix - un. This idea, known as markedness, is a concept that is applied from linguistics to psychology, cognitive science and sociology; the concept is particularly useful for describing certain contrasts and constructs. To put it very simply, the insight into markedness is this: in a contrasting pair, you might expect an equal binary relationship, but you'll often find that the relationship is not equal, it's asymmetric. One is usually considered generic ( the unmarked) and in many cases, is a default state favored above the other (the marked) Unmarked words in English are often favored as more positive, such as in happy/sad, friendly/unfriendly, clean/unclean or dirty, even when there may be no overt morphological marking. Researchers have noted how pairs like man/woman, while considered politically or socially equal, linguistically are unequal, not just because " woman" is marked, but because " man" can still be understood as a generic for the human race while " woman" is never used in that way. It's revealing how we mark these words in common expressions that are not even politically charged at all, like "she' s four feet tall":! Identify the options that is FALSE and makes s wrong claim. Familiarity with markedness helps us understand _____.
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Read the following passage and answer questions (From 31 to 40). Readers of adventure stories such 'Treasure Island' or 'Sherlock Holmes' might remember how the seemingly harmless " black spot," a mere scrap of paper, or an envelope of just five orange pips, were a palpable source of fear for those who knew the code of the secret society who used them. Being singled out or " marked for death" in this way, rather than an obscure joke, was nothing less than a threat for those who understood the symbol. Language can encode many more nuances than just literal meanings or grammatical functions even when it comes to humble punctuation, secret languages of the register of a particular subculture. Interestingly, even in ordinary, everyday language use, the very words and expressions we use are already marked for our cultural and social biases, so much so that we're often not even aware of it. It reveals our underlying assumptions about what we may consider normal, default, regular--even positive or desirable in certain contexts. This has an impact on how we view their opposites--the abnormal, unusual, irregular, negative undesirable. Take a pair of simple antonyms such as happy/unhappy. The word "happy" is considered more of a default, normal, perhaps more desirable state in English, while "unhappy" is considered more " marked," and we know this because it's actively morphologically marked with a prefix - un. This idea, known as markedness, is a concept that is applied from linguistics to psychology, cognitive science and sociology; the concept is particularly useful for describing certain contrasts and constructs. To put it very simply, the insight into markedness is this: in a contrasting pair, you might expect an equal binary relationship, but you'll often find that the relationship is not equal, it's asymmetric. One is usually considered generic ( the unmarked) and in many cases, is a default state favored above the other (the marked) Unmarked words in English are often favored as more positive, such as in happy/sad, friendly/unfriendly, clean/unclean or dirty, even when there may be no overt morphological marking. Researchers have noted how pairs like man/woman, while considered politically or socially equal, linguistically are unequal, not just because " woman" is marked, but because " man" can still be understood as a generic for the human race while " woman" is never used in that way. It's revealing how we mark these words in common expressions that are not even politically charged at all, like "she' s four feet tall":! Which one of the following statements is FALSE?
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[ADSENSE]
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Read the following passage and answer questions (From 31 to 40). Readers of adventure stories such 'Treasure Island' or 'Sherlock Holmes' might remember how the seemingly harmless " black spot," a mere scrap of paper, or an envelope of just five orange pips, were a palpable source of fear for those who knew the code of the secret society who used them. Being singled out or " marked for death" in this way, rather than an obscure joke, was nothing less than a threat for those who understood the symbol. Language can encode many more nuances than just literal meanings or grammatical functions even when it comes to humble punctuation, secret languages of the register of a particular subculture. Interestingly, even in ordinary, everyday language use, the very words and expressions we use are already marked for our cultural and social biases, so much so that we're often not even aware of it. It reveals our underlying assumptions about what we may consider normal, default, regular--even positive or desirable in certain contexts. This has an impact on how we view their opposites--the abnormal, unusual, irregular, negative undesirable. Take a pair of simple antonyms such as happy/unhappy. The word "happy" is considered more of a default, normal, perhaps more desirable state in English, while "unhappy" is considered more " marked," and we know this because it's actively morphologically marked with a prefix - un. This idea, known as markedness, is a concept that is applied from linguistics to psychology, cognitive science and sociology; the concept is particularly useful for describing certain contrasts and constructs. To put it very simply, the insight into markedness is this: in a contrasting pair, you might expect an equal binary relationship, but you'll often find that the relationship is not equal, it's asymmetric. One is usually considered generic ( the unmarked) and in many cases, is a default state favored above the other (the marked) Unmarked words in English are often favored as more positive, such as in happy/sad, friendly/unfriendly, clean/unclean or dirty, even when there may be no overt morphological marking. Researchers have noted how pairs like man/woman, while considered politically or socially equal, linguistically are unequal, not just because " woman" is marked, but because " man" can still be understood as a generic for the human race while " woman" is never used in that way. It's revealing how we mark these words in common expressions that are not even politically charged at all, like "she' s four feet tall":! Which one of the following statements is FALSE?
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Read the following passage and answer questions (From 31 to 40). Readers of adventure stories such 'Treasure Island' or 'Sherlock Holmes' might remember how the seemingly harmless " black spot," a mere scrap of paper, or an envelope of just five orange pips, were a palpable source of fear for those who knew the code of the secret society who used them. Being singled out or " marked for death" in this way, rather than an obscure joke, was nothing less than a threat for those who understood the symbol. Language can encode many more nuances than just literal meanings or grammatical functions even when it comes to humble punctuation, secret languages of the register of a particular subculture. Interestingly, even in ordinary, everyday language use, the very words and expressions we use are already marked for our cultural and social biases, so much so that we're often not even aware of it. It reveals our underlying assumptions about what we may consider normal, default, regular--even positive or desirable in certain contexts. This has an impact on how we view their opposites--the abnormal, unusual, irregular, negative undesirable. Take a pair of simple antonyms such as happy/unhappy. The word "happy" is considered more of a default, normal, perhaps more desirable state in English, while "unhappy" is considered more " marked," and we know this because it's actively morphologically marked with a prefix - un. This idea, known as markedness, is a concept that is applied from linguistics to psychology, cognitive science and sociology; the concept is particularly useful for describing certain contrasts and constructs. To put it very simply, the insight into markedness is this: in a contrasting pair, you might expect an equal binary relationship, but you'll often find that the relationship is not equal, it's asymmetric. One is usually considered generic ( the unmarked) and in many cases, is a default state favored above the other (the marked) Unmarked words in English are often favored as more positive, such as in happy/sad, friendly/unfriendly, clean/unclean or dirty, even when there may be no overt morphological marking. Researchers have noted how pairs like man/woman, while considered politically or socially equal, linguistically are unequal, not just because " woman" is marked, but because " man" can still be understood as a generic for the human race while " woman" is never used in that way. It's revealing how we mark these words in common expressions that are not even politically charged at all, like "she' s four feet tall":! Identify the option that completes the statement INAPTLY/UNACCEPTABLY: When we linguistically mark something ____.
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Read the following passage and answer questions (From 31 to 40). Readers of adventure stories such 'Treasure Island' or 'Sherlock Holmes' might remember how the seemingly harmless " black spot," a mere scrap of paper, or an envelope of just five orange pips, were a palpable source of fear for those who knew the code of the secret society who used them. Being singled out or " marked for death" in this way, rather than an obscure joke, was nothing less than a threat for those who understood the symbol. Language can encode many more nuances than just literal meanings or grammatical functions even when it comes to humble punctuation, secret languages of the register of a particular subculture. Interestingly, even in ordinary, everyday language use, the very words and expressions we use are already marked for our cultural and social biases, so much so that we're often not even aware of it. It reveals our underlying assumptions about what we may consider normal, default, regular--even positive or desirable in certain contexts. This has an impact on how we view their opposites--the abnormal, unusual, irregular, negative undesirable. Take a pair of simple antonyms such as happy/unhappy. The word "happy" is considered more of a default, normal, perhaps more desirable state in English, while "unhappy" is considered more " marked," and we know this because it's actively morphologically marked with a prefix - un. This idea, known as markedness, is a concept that is applied from linguistics to psychology, cognitive science and sociology; the concept is particularly useful for describing certain contrasts and constructs. To put it very simply, the insight into markedness is this: in a contrasting pair, you might expect an equal binary relationship, but you'll often find that the relationship is not equal, it's asymmetric. One is usually considered generic ( the unmarked) and in many cases, is a default state favored above the other (the marked) Unmarked words in English are often favored as more positive, such as in happy/sad, friendly/unfriendly, clean/unclean or dirty, even when there may be no overt morphological marking. Researchers have noted how pairs like man/woman, while considered politically or socially equal, linguistically are unequal, not just because " woman" is marked, but because " man" can still be understood as a generic for the human race while " woman" is never used in that way. It's revealing how we mark these words in common expressions that are not even politically charged at all, like "she' s four feet tall":! Which one of the following options provide an accurate interpretation of the following statement? Readers of adventure stories such 'Treasure Island' or 'Sherlock Holmes' might remember how the seemingly harmless " black spot," a mere scrap of paper, or an envelope of just five orange pips were a palpable source of fear for those who knew the code of the secret society who used them.
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Read the following passage and answer questions (From 31 to 40). Readers of adventure stories such 'Treasure Island' or 'Sherlock Holmes' might remember how the seemingly harmless " black spot," a mere scrap of paper, or an envelope of just five orange pips, were a palpable source of fear for those who knew the code of the secret society who used them. Being singled out or " marked for death" in this way, rather than an obscure joke, was nothing less than a threat for those who understood the symbol. Language can encode many more nuances than just literal meanings or grammatical functions even when it comes to humble punctuation, secret languages of the register of a particular subculture. Interestingly, even in ordinary, everyday language use, the very words and expressions we use are already marked for our cultural and social biases, so much so that we're often not even aware of it. It reveals our underlying assumptions about what we may consider normal, default, regular--even positive or desirable in certain contexts. This has an impact on how we view their opposites--the abnormal, unusual, irregular, negative undesirable. Take a pair of simple antonyms such as happy/unhappy. The word "happy" is considered more of a default, normal, perhaps more desirable state in English, while "unhappy" is considered more " marked," and we know this because it's actively morphologically marked with a prefix - un. This idea, known as markedness, is a concept that is applied from linguistics to psychology, cognitive science and sociology; the concept is particularly useful for describing certain contrasts and constructs. To put it very simply, the insight into markedness is this: in a contrasting pair, you might expect an equal binary relationship, but you'll often find that the relationship is not equal, it's asymmetric. One is usually considered generic ( the unmarked) and in many cases, is a default state favored above the other (the marked) Unmarked words in English are often favored as more positive, such as in happy/sad, friendly/unfriendly, clean/unclean or dirty, even when there may be no overt morphological marking. Researchers have noted how pairs like man/woman, while considered politically or socially equal, linguistically are unequal, not just because " woman" is marked, but because " man" can still be understood as a generic for the human race while " woman" is never used in that way. It's revealing how we mark these words in common expressions that are not even politically charged at all, like "she' s four feet tall":! identify the most approprite meaning of the highlighted word in the sentence below, according to the context in which it is used in the passage: It's revealing how we mark these world in common expressions that are not even politically charged at all, like " she's four feet tall"!
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Read the following passage and answer questions (From 31 to 40). Readers of adventure stories such 'Treasure Island' or 'Sherlock Holmes' might remember how the seemingly harmless " black spot," a mere scrap of paper, or an envelope of just five orange pips, were a palpable source of fear for those who knew the code of the secret society who used them. Being singled out or " marked for death" in this way, rather than an obscure joke, was nothing less than a threat for those who understood the symbol. Language can encode many more nuances than just literal meanings or grammatical functions even when it comes to humble punctuation, secret languages of the register of a particular subculture. Interestingly, even in ordinary, everyday language use, the very words and expressions we use are already marked for our cultural and social biases, so much so that we're often not even aware of it. It reveals our underlying assumptions about what we may consider normal, default, regular--even positive or desirable in certain contexts. This has an impact on how we view their opposites--the abnormal, unusual, irregular, negative undesirable. Take a pair of simple antonyms such as happy/unhappy. The word "happy" is considered more of a default, normal, perhaps more desirable state in English, while "unhappy" is considered more " marked," and we know this because it's actively morphologically marked with a prefix - un. This idea, known as markedness, is a concept that is applied from linguistics to psychology, cognitive science and sociology; the concept is particularly useful for describing certain contrasts and constructs. To put it very simply, the insight into markedness is this: in a contrasting pair, you might expect an equal binary relationship, but you'll often find that the relationship is not equal, it's asymmetric. One is usually considered generic ( the unmarked) and in many cases, is a default state favored above the other (the marked) Unmarked words in English are often favored as more positive, such as in happy/sad, friendly/unfriendly, clean/unclean or dirty, even when there may be no overt morphological marking. Researchers have noted how pairs like man/woman, while considered politically or socially equal, linguistically are unequal, not just because " woman" is marked, but because " man" can still be understood as a generic for the human race while " woman" is never used in that way. It's revealing how we mark these words in common expressions that are not even politically charged at all, like "she' s four feet tall":! identify the most approprite meaning of the highlighted word in the sentence below, according to the context in which it is used in the passage: Language can encode many more nuances that just literal meanings.
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Read the passage given below and answer questions. (From 41 to 50) Nationalism and national identity are not just ideological constructs. Rather, they are created and enforced through a bureaucracy that produces censuses, surveys and identity documents. This bureaucracy and its technologies of surveillance (photography, fingerprinting, statistics) are very recent, but they have become an indelible part of our lives. Holding a passport is a sign o citizenship of legal residency recognised by any other sovereign state in the world. But even before modern states could attempt to control the movement of their populations, people weren't free to move around as they pleased. For most of history, large segments of the population, including serfs, slaves, and indentured servants required privately created passes or papers to legitimate their movement. But as the global economy expanded. and New World frontiers and early industrial factories developed an insatiable demand for labor, these private controls fell away. The European empires of the late 19th century imposed new rights, responsibilities, and identities on their citizens through education, conscription, and taxation. The prevailing liberalism, the vagueness of nationality in an taxation. The prevailing liberalism, the vagueness of nationality in an imperial context, and the limits of surveillance meant millions upon millions were able to move to settler colonies in the Americas, South Africa and Oceania---with often the notable exclusion of Asians. This diplomatic - surveillance regime changes after WWI. Nation-states claiming to represent exclusive nationalities replaced empires. The rise of communist parties in Russia and elsewhere in Europe gave rise to suspicion of foreign agents. Moreover, the demand for labor was easing. National working classes constituted political interest groups that protested the labor competition of new immigrant classes. With the hardening of borders security and immigration quotas between these new nation states, and the spread of cheap photography, passports became both standardised, mandatory travel documents and ritual tools reinforcing national identity. Indeed, holders of passports from more powerful nations enjoy privileges abroad that others do not. Meanwhile, many of the fragments of empires that failed to form nation states, or unwanted minority groups, have at times been made " stateless" populations. These groups have ranged from Russian expatriates after the Bolshevik Revolution, to European Jews during the Holocaust and Palestinian refugees after the creation of Israel. Lacking a passport in a worldwide systems of nation states is the ultimate negation of agency. But national identity doesn't even mean all that it used to. Much of the new nationalism expressed as xenophobia and racism is rooted in nostalgia, accurate or not, for a time when national membership meant certain shared experiences and rights bridging social classes. The march of de-industrialisation, the decline of welfare services and the widening of income inequality mean that the global elite are everywhere carving out private zones of privilege guarded by fences and private security. The value of a passport as diplomatic currency is losing ground to another currency ---- the almighty dollar. 41. Identify the option that sums up the ideas and views expressed in the passage correctly and fully:
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Read the passage given below and answer questions. (From 41 to 50) Nationalism and national identity are not just ideological constructs. Rather, they are created and enforced through a bureaucracy that produces censuses, surveys and identity documents. This bureaucracy and its technologies of surveillance (photography, fingerprinting, statistics) are very recent, but they have become an indelible part of our lives. Holding a passport is a sign o citizenship of legal residency recognised by any other sovereign state in the world. But even before modern states could attempt to control the movement of their populations, people weren't free to move around as they pleased. For most of history, large segments of the population, including serfs, slaves, and indentured servants required privately created passes or papers to legitimate their movement. But as the global economy expanded. and New World frontiers and early industrial factories developed an insatiable demand for labor, these private controls fell away. The European empires of the late 19th century imposed new rights, responsibilities, and identities on their citizens through education, conscription, and taxation. The prevailing liberalism, the vagueness of nationality in an taxation. The prevailing liberalism, the vagueness of nationality in an imperial context, and the limits of surveillance meant millions upon millions were able to move to settler colonies in the Americas, South Africa and Oceania---with often the notable exclusion of Asians. This diplomatic - surveillance regime changes after WWI. Nation-states claiming to represent exclusive nationalities replaced empires. The rise of communist parties in Russia and elsewhere in Europe gave rise to suspicion of foreign agents. Moreover, the demand for labor was easing. National working classes constituted political interest groups that protested the labor competition of new immigrant classes. With the hardening of borders security and immigration quotas between these new nation states, and the spread of cheap photography, passports became both standardised, mandatory travel documents and ritual tools reinforcing national identity. Indeed, holders of passports from more powerful nations enjoy privileges abroad that others do not. Meanwhile, many of the fragments of empires that failed to form nation states, or unwanted minority groups, have at times been made " stateless" populations. These groups have ranged from Russian expatriates after the Bolshevik Revolution, to European Jews during the Holocaust and Palestinian refugees after the creation of Israel. Lacking a passport in a worldwide systems of nation states is the ultimate negation of agency. But national identity doesn't even mean all that it used to. Much of the new nationalism expressed as xenophobia and racism is rooted in nostalgia, accurate or not, for a time when national membership meant certain shared experiences and rights bridging social classes. The march of de-industrialisation, the decline of welfare services and the widening of income inequality mean that the global elite are everywhere carving out private zones of privilege guarded by fences and private security. The value of a passport as diplomatic currency is losing ground to another currency ---- the almighty dollar. Identify the main idea discussed in the fourth paragraph.
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Read the passage given below and answer questions. (From 41 to 50) Nationalism and national identity are not just ideological constructs. Rather, they are created and enforced through a bureaucracy that produces censuses, surveys and identity documents. This bureaucracy and its technologies of surveillance (photography, fingerprinting, statistics) are very recent, but they have become an indelible part of our lives. Holding a passport is a sign o citizenship of legal residency recognised by any other sovereign state in the world. But even before modern states could attempt to control the movement of their populations, people weren't free to move around as they pleased. For most of history, large segments of the population, including serfs, slaves, and indentured servants required privately created passes or papers to legitimate their movement. But as the global economy expanded. and New World frontiers and early industrial factories developed an insatiable demand for labor, these private controls fell away. The European empires of the late 19th century imposed new rights, responsibilities, and identities on their citizens through education, conscription, and taxation. The prevailing liberalism, the vagueness of nationality in an taxation. The prevailing liberalism, the vagueness of nationality in an imperial context, and the limits of surveillance meant millions upon millions were able to move to settler colonies in the Americas, South Africa and Oceania---with often the notable exclusion of Asians. This diplomatic - surveillance regime changes after WWI. Nation-states claiming to represent exclusive nationalities replaced empires. The rise of communist parties in Russia and elsewhere in Europe gave rise to suspicion of foreign agents. Moreover, the demand for labor was easing. National working classes constituted political interest groups that protested the labor competition of new immigrant classes. With the hardening of borders security and immigration quotas between these new nation states, and the spread of cheap photography, passports became both standardised, mandatory travel documents and ritual tools reinforcing national identity. Indeed, holders of passports from more powerful nations enjoy privileges abroad that others do not. Meanwhile, many of the fragments of empires that failed to form nation states, or unwanted minority groups, have at times been made " stateless" populations. These groups have ranged from Russian expatriates after the Bolshevik Revolution, to European Jews during the Holocaust and Palestinian refugees after the creation of Israel. Lacking a passport in a worldwide systems of nation states is the ultimate negation of agency. But national identity doesn't even mean all that it used to. Much of the new nationalism expressed as xenophobia and racism is rooted in nostalgia, accurate or not, for a time when national membership meant certain shared experiences and rights bridging social classes. The march of de-industrialisation, the decline of welfare services and the widening of income inequality mean that the global elite are everywhere carving out private zones of privilege guarded by fences and private security. The value of a passport as diplomatic currency is losing ground to another currency ---- the almighty dollar. Nationalism and national identity are not just ideological constructs but ______.
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Read the passage given below and answer questions. (From 41 to 50) Nationalism and national identity are not just ideological constructs. Rather, they are created and enforced through a bureaucracy that produces censuses, surveys and identity documents. This bureaucracy and its technologies of surveillance (photography, fingerprinting, statistics) are very recent, but they have become an indelible part of our lives. Holding a passport is a sign o citizenship of legal residency recognised by any other sovereign state in the world. But even before modern states could attempt to control the movement of their populations, people weren't free to move around as they pleased. For most of history, large segments of the population, including serfs, slaves, and indentured servants required privately created passes or papers to legitimate their movement. But as the global economy expanded. and New World frontiers and early industrial factories developed an insatiable demand for labor, these private controls fell away. The European empires of the late 19th century imposed new rights, responsibilities, and identities on their citizens through education, conscription, and taxation. The prevailing liberalism, the vagueness of nationality in an taxation. The prevailing liberalism, the vagueness of nationality in an imperial context, and the limits of surveillance meant millions upon millions were able to move to settler colonies in the Americas, South Africa and Oceania---with often the notable exclusion of Asians. This diplomatic - surveillance regime changes after WWI. Nation-states claiming to represent exclusive nationalities replaced empires. The rise of communist parties in Russia and elsewhere in Europe gave rise to suspicion of foreign agents. Moreover, the demand for labor was easing. National working classes constituted political interest groups that protested the labor competition of new immigrant classes. With the hardening of borders security and immigration quotas between these new nation states, and the spread of cheap photography, passports became both standardised, mandatory travel documents and ritual tools reinforcing national identity. Indeed, holders of passports from more powerful nations enjoy privileges abroad that others do not. Meanwhile, many of the fragments of empires that failed to form nation states, or unwanted minority groups, have at times been made " stateless" populations. These groups have ranged from Russian expatriates after the Bolshevik Revolution, to European Jews during the Holocaust and Palestinian refugees after the creation of Israel. Lacking a passport in a worldwide systems of nation states is the ultimate negation of agency. But national identity doesn't even mean all that it used to. Much of the new nationalism expressed as xenophobia and racism is rooted in nostalgia, accurate or not, for a time when national membership meant certain shared experiences and rights bridging social classes. The march of de-industrialisation, the decline of welfare services and the widening of income inequality mean that the global elite are everywhere carving out private zones of privilege guarded by fences and private security. The value of a passport as diplomatic currency is losing ground to another currency ---- the almighty dollar. The vagueness of nationality in an imperial context _____.
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Read the passage given below and answer questions. (From 41 to 50) Nationalism and national identity are not just ideological constructs. Rather, they are created and enforced through a bureaucracy that produces censuses, surveys and identity documents. This bureaucracy and its technologies of surveillance (photography, fingerprinting, statistics) are very recent, but they have become an indelible part of our lives. Holding a passport is a sign o citizenship of legal residency recognised by any other sovereign state in the world. But even before modern states could attempt to control the movement of their populations, people weren't free to move around as they pleased. For most of history, large segments of the population, including serfs, slaves, and indentured servants required privately created passes or papers to legitimate their movement. But as the global economy expanded. and New World frontiers and early industrial factories developed an insatiable demand for labor, these private controls fell away. The European empires of the late 19th century imposed new rights, responsibilities, and identities on their citizens through education, conscription, and taxation. The prevailing liberalism, the vagueness of nationality in an taxation. The prevailing liberalism, the vagueness of nationality in an imperial context, and the limits of surveillance meant millions upon millions were able to move to settler colonies in the Americas, South Africa and Oceania---with often the notable exclusion of Asians. This diplomatic - surveillance regime changes after WWI. Nation-states claiming to represent exclusive nationalities replaced empires. The rise of communist parties in Russia and elsewhere in Europe gave rise to suspicion of foreign agents. Moreover, the demand for labor was easing. National working classes constituted political interest groups that protested the labor competition of new immigrant classes. With the hardening of borders security and immigration quotas between these new nation states, and the spread of cheap photography, passports became both standardised, mandatory travel documents and ritual tools reinforcing national identity. Indeed, holders of passports from more powerful nations enjoy privileges abroad that others do not. Meanwhile, many of the fragments of empires that failed to form nation states, or unwanted minority groups, have at times been made " stateless" populations. These groups have ranged from Russian expatriates after the Bolshevik Revolution, to European Jews during the Holocaust and Palestinian refugees after the creation of Israel. Lacking a passport in a worldwide systems of nation states is the ultimate negation of agency. But national identity doesn't even mean all that it used to. Much of the new nationalism expressed as xenophobia and racism is rooted in nostalgia, accurate or not, for a time when national membership meant certain shared experiences and rights bridging social classes. The march of de-industrialisation, the decline of welfare services and the widening of income inequality mean that the global elite are everywhere carving out private zones of privilege guarded by fences and private security. The value of a passport as diplomatic currency is losing ground to another currency ---- the almighty dollar. Which of the following statements is true according of the passage?
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Read the passage given below and answer questions. (From 41 to 50) Nationalism and national identity are not just ideological constructs. Rather, they are created and enforced through a bureaucracy that produces censuses, surveys and identity documents. This bureaucracy and its technologies of surveillance (photography, fingerprinting, statistics) are very recent, but they have become an indelible part of our lives. Holding a passport is a sign o citizenship of legal residency recognised by any other sovereign state in the world. But even before modern states could attempt to control the movement of their populations, people weren't free to move around as they pleased. For most of history, large segments of the population, including serfs, slaves, and indentured servants required privately created passes or papers to legitimate their movement. But as the global economy expanded. and New World frontiers and early industrial factories developed an insatiable demand for labor, these private controls fell away. The European empires of the late 19th century imposed new rights, responsibilities, and identities on their citizens through education, conscription, and taxation. The prevailing liberalism, the vagueness of nationality in an taxation. The prevailing liberalism, the vagueness of nationality in an imperial context, and the limits of surveillance meant millions upon millions were able to move to settler colonies in the Americas, South Africa and Oceania---with often the notable exclusion of Asians. This diplomatic - surveillance regime changes after WWI. Nation-states claiming to represent exclusive nationalities replaced empires. The rise of communist parties in Russia and elsewhere in Europe gave rise to suspicion of foreign agents. Moreover, the demand for labor was easing. National working classes constituted political interest groups that protested the labor competition of new immigrant classes. With the hardening of borders security and immigration quotas between these new nation states, and the spread of cheap photography, passports became both standardised, mandatory travel documents and ritual tools reinforcing national identity. Indeed, holders of passports from more powerful nations enjoy privileges abroad that others do not. Meanwhile, many of the fragments of empires that failed to form nation states, or unwanted minority groups, have at times been made " stateless" populations. These groups have ranged from Russian expatriates after the Bolshevik Revolution, to European Jews during the Holocaust and Palestinian refugees after the creation of Israel. Lacking a passport in a worldwide systems of nation states is the ultimate negation of agency. But national identity doesn't even mean all that it used to. Much of the new nationalism expressed as xenophobia and racism is rooted in nostalgia, accurate or not, for a time when national membership meant certain shared experiences and rights bridging social classes. The march of de-industrialisation, the decline of welfare services and the widening of income inequality mean that the global elite are everywhere carving out private zones of privilege guarded by fences and private security. The value of a passport as diplomatic currency is losing ground to another currency ---- the almighty dollar. Which of the following statements is FALSE according to the passage?
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Read the passage given below and answer questions. (From 41 to 50) Nationalism and national identity are not just ideological constructs. Rather, they are created and enforced through a bureaucracy that produces censuses, surveys and identity documents. This bureaucracy and its technologies of surveillance (photography, fingerprinting, statistics) are very recent, but they have become an indelible part of our lives. Holding a passport is a sign o citizenship of legal residency recognised by any other sovereign state in the world. But even before modern states could attempt to control the movement of their populations, people weren't free to move around as they pleased. For most of history, large segments of the population, including serfs, slaves, and indentured servants required privately created passes or papers to legitimate their movement. But as the global economy expanded. and New World frontiers and early industrial factories developed an insatiable demand for labor, these private controls fell away. The European empires of the late 19th century imposed new rights, responsibilities, and identities on their citizens through education, conscription, and taxation. The prevailing liberalism, the vagueness of nationality in an taxation. The prevailing liberalism, the vagueness of nationality in an imperial context, and the limits of surveillance meant millions upon millions were able to move to settler colonies in the Americas, South Africa and Oceania---with often the notable exclusion of Asians. This diplomatic - surveillance regime changes after WWI. Nation-states claiming to represent exclusive nationalities replaced empires. The rise of communist parties in Russia and elsewhere in Europe gave rise to suspicion of foreign agents. Moreover, the demand for labor was easing. National working classes constituted political interest groups that protested the labor competition of new immigrant classes. With the hardening of borders security and immigration quotas between these new nation states, and the spread of cheap photography, passports became both standardised, mandatory travel documents and ritual tools reinforcing national identity. Indeed, holders of passports from more powerful nations enjoy privileges abroad that others do not. Meanwhile, many of the fragments of empires that failed to form nation states, or unwanted minority groups, have at times been made " stateless" populations. These groups have ranged from Russian expatriates after the Bolshevik Revolution, to European Jews during the Holocaust and Palestinian refugees after the creation of Israel. Lacking a passport in a worldwide systems of nation states is the ultimate negation of agency. But national identity doesn't even mean all that it used to. Much of the new nationalism expressed as xenophobia and racism is rooted in nostalgia, accurate or not, for a time when national membership meant certain shared experiences and rights bridging social classes. The march of de-industrialisation, the decline of welfare services and the widening of income inequality mean that the global elite are everywhere carving out private zones of privilege guarded by fences and private security. The value of a passport as diplomatic currency is losing ground to another currency ---- the almighty dollar. What happens when the country of your origin ceases to exist as an independent nation, according to the passage?
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Read the passage given below and answer questions. (From 41 to 50) Nationalism and national identity are not just ideological constructs. Rather, they are created and enforced through a bureaucracy that produces censuses, surveys and identity documents. This bureaucracy and its technologies of surveillance (photography, fingerprinting, statistics) are very recent, but they have become an indelible part of our lives. Holding a passport is a sign o citizenship of legal residency recognised by any other sovereign state in the world. But even before modern states could attempt to control the movement of their populations, people weren't free to move around as they pleased. For most of history, large segments of the population, including serfs, slaves, and indentured servants required privately created passes or papers to legitimate their movement. But as the global economy expanded. and New World frontiers and early industrial factories developed an insatiable demand for labor, these private controls fell away. The European empires of the late 19th century imposed new rights, responsibilities, and identities on their citizens through education, conscription, and taxation. The prevailing liberalism, the vagueness of nationality in an taxation. The prevailing liberalism, the vagueness of nationality in an imperial context, and the limits of surveillance meant millions upon millions were able to move to settler colonies in the Americas, South Africa and Oceania---with often the notable exclusion of Asians. This diplomatic - surveillance regime changes after WWI. Nation-states claiming to represent exclusive nationalities replaced empires. The rise of communist parties in Russia and elsewhere in Europe gave rise to suspicion of foreign agents. Moreover, the demand for labor was easing. National working classes constituted political interest groups that protested the labor competition of new immigrant classes. With the hardening of borders security and immigration quotas between these new nation states, and the spread of cheap photography, passports became both standardised, mandatory travel documents and ritual tools reinforcing national identity. Indeed, holders of passports from more powerful nations enjoy privileges abroad that others do not. Meanwhile, many of the fragments of empires that failed to form nation states, or unwanted minority groups, have at times been made " stateless" populations. These groups have ranged from Russian expatriates after the Bolshevik Revolution, to European Jews during the Holocaust and Palestinian refugees after the creation of Israel. Lacking a passport in a worldwide systems of nation states is the ultimate negation of agency. But national identity doesn't even mean all that it used to. Much of the new nationalism expressed as xenophobia and racism is rooted in nostalgia, accurate or not, for a time when national membership meant certain shared experiences and rights bridging social classes. The march of de-industrialisation, the decline of welfare services and the widening of income inequality mean that the global elite are everywhere carving out private zones of privilege guarded by fences and private security. The value of a passport as diplomatic currency is losing ground to another currency ---- the almighty dollar. Which one of the following option provides an accurate interpretation of the statement given below? The value of a passport as diplomatic currency is losing ground to another currency--the almighty dollar.
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Read the passage given below and answer questions. (From 41 to 50) Nationalism and national identity are not just ideological constructs. Rather, they are created and enforced through a bureaucracy that produces censuses, surveys and identity documents. This bureaucracy and its technologies of surveillance (photography, fingerprinting, statistics) are very recent, but they have become an indelible part of our lives. Holding a passport is a sign o citizenship of legal residency recognised by any other sovereign state in the world. But even before modern states could attempt to control the movement of their populations, people weren't free to move around as they pleased. For most of history, large segments of the population, including serfs, slaves, and indentured servants required privately created passes or papers to legitimate their movement. But as the global economy expanded. and New World frontiers and early industrial factories developed an insatiable demand for labor, these private controls fell away. The European empires of the late 19th century imposed new rights, responsibilities, and identities on their citizens through education, conscription, and taxation. The prevailing liberalism, the vagueness of nationality in an taxation. The prevailing liberalism, the vagueness of nationality in an imperial context, and the limits of surveillance meant millions upon millions were able to move to settler colonies in the Americas, South Africa and Oceania---with often the notable exclusion of Asians. This diplomatic - surveillance regime changes after WWI. Nation-states claiming to represent exclusive nationalities replaced empires. The rise of communist parties in Russia and elsewhere in Europe gave rise to suspicion of foreign agents. Moreover, the demand for labor was easing. National working classes constituted political interest groups that protested the labor competition of new immigrant classes. With the hardening of borders security and immigration quotas between these new nation states, and the spread of cheap photography, passports became both standardised, mandatory travel documents and ritual tools reinforcing national identity. Indeed, holders of passports from more powerful nations enjoy privileges abroad that others do not. Meanwhile, many of the fragments of empires that failed to form nation states, or unwanted minority groups, have at times been made " stateless" populations. These groups have ranged from Russian expatriates after the Bolshevik Revolution, to European Jews during the Holocaust and Palestinian refugees after the creation of Israel. Lacking a passport in a worldwide systems of nation states is the ultimate negation of agency. But national identity doesn't even mean all that it used to. Much of the new nationalism expressed as xenophobia and racism is rooted in nostalgia, accurate or not, for a time when national membership meant certain shared experiences and rights bridging social classes. The march of de-industrialisation, the decline of welfare services and the widening of income inequality mean that the global elite are everywhere carving out private zones of privilege guarded by fences and private security. The value of a passport as diplomatic currency is losing ground to another currency ---- the almighty dollar. Identify the most appropriate meaning of the highlighted word in the sentence below, according to the context in which its is used in the passage: Much of the new nationalism expressed as xenophobia and racism is rooted in nostalgia
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Read the passage given below and answer questions. (From 41 to 50) Nationalism and national identity are not just ideological constructs. Rather, they are created and enforced through a bureaucracy that produces censuses, surveys and identity documents. This bureaucracy and its technologies of surveillance (photography, fingerprinting, statistics) are very recent, but they have become an indelible part of our lives. Holding a passport is a sign o citizenship of legal residency recognised by any other sovereign state in the world. But even before modern states could attempt to control the movement of their populations, people weren't free to move around as they pleased. For most of history, large segments of the population, including serfs, slaves, and indentured servants required privately created passes or papers to legitimate their movement. But as the global economy expanded. and New World frontiers and early industrial factories developed an insatiable demand for labor, these private controls fell away. The European empires of the late 19th century imposed new rights, responsibilities, and identities on their citizens through education, conscription, and taxation. The prevailing liberalism, the vagueness of nationality in an taxation. The prevailing liberalism, the vagueness of nationality in an imperial context, and the limits of surveillance meant millions upon millions were able to move to settler colonies in the Americas, South Africa and Oceania---with often the notable exclusion of Asians. This diplomatic - surveillance regime changes after WWI. Nation-states claiming to represent exclusive nationalities replaced empires. The rise of communist parties in Russia and elsewhere in Europe gave rise to suspicion of foreign agents. Moreover, the demand for labor was easing. National working classes constituted political interest groups that protested the labor competition of new immigrant classes. With the hardening of borders security and immigration quotas between these new nation states, and the spread of cheap photography, passports became both standardised, mandatory travel documents and ritual tools reinforcing national identity. Indeed, holders of passports from more powerful nations enjoy privileges abroad that others do not. Meanwhile, many of the fragments of empires that failed to form nation states, or unwanted minority groups, have at times been made " stateless" populations. These groups have ranged from Russian expatriates after the Bolshevik Revolution, to European Jews during the Holocaust and Palestinian refugees after the creation of Israel. Lacking a passport in a worldwide systems of nation states is the ultimate negation of agency. But national identity doesn't even mean all that it used to. Much of the new nationalism expressed as xenophobia and racism is rooted in nostalgia, accurate or not, for a time when national membership meant certain shared experiences and rights bridging social classes. The march of de-industrialisation, the decline of welfare services and the widening of income inequality mean that the global elite are everywhere carving out private zones of privilege guarded by fences and private security. The value of a passport as diplomatic currency is losing ground to another currency ---- the almighty dollar. Identify the correct synonym of the highlighted word in the sentence given below, according to the context in which it is used in the passage: Nation-states claiming to represent exclusive nationalities replaced empires.
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[ADSENSE]
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Read the passage below and answer Questions. (From 51 to 60) Children's books may not form part of the recruitment process for most businesses, but for shoe repair and key-cutting business Timpson, the key to its hiring process is whether the prospective candidate resembles say, Mr. Happy or Miss Quick, characters in children's books. " Other than specialist roles in finance or IT, we really don't bother about CVs or qualifications and we certainly don't take much notice of the words written on an application form," Timpson says. " The only thing that matters is personality." As well as more unorthodox methods, firms are turning to AI and other forms of tech to recruit. L' Oreal has introduced virtual reality to its approach, whereby graduates don a headset, take a virtual tour of the French beauty giant's offices, and experience a virtual meeting while having their personality and judgment assessed. Byte London, a marketing technology agency, recently introduced a chatbot (a computer programme that conducts a conversation) to help find employees. Replacing the initial application process, the Facebook Messenger chatbot, named Space Gentleman, asks applicants a series of 10 questions such as: " Do you have the right to work in the UK?", "We wanted to reduce the cost of hiring candidates, improve the quality of candidates applying to Byte and make the application more enjoyable." He adds: "We 're also using it as a soft sell for the agency's personality, helping people work out if they'd be a good fit." Last year, the mini bakery store chain Bagelman ditched the CV as part of the recruitment workshop, where the company could identify people who matched the job. "We were hiring individuals who looked gread on paper with impressive qualifications, but it soon became apparent they didn't share our values. We realised that no matter the qualifications on the CV, it was the person in front of us that mattered." Now Bagelman runs workshops where candidates have to participate in various set tasks. " Candidates who stand out for us will show great customer service, the ability to think on their feet and retain information. A CV can't show us any of that and is open to interpretation." Chris Rowley, a professor at Cass Business School, says companies should be more creative with recruiting but warns that while some methods can reduce the problems with CVs and application forms, which he says have " poor reliability as predictor of job perfomance", you need to be able to justify that decisions are not based on characteristics such as gender, ethnicity or age, but on the job criteria. He advises companies use a mix of CVs, application forms, and semi-structured interviews and tests 51. What is the main idea that the passage develops?
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Read the passage below and answer Questions. (From 51 to 60) Children's books may not form part of the recruitment process for most businesses, but for shoe repair and key-cutting business Timpson, the key to its hiring process is whether the prospective candidate resembles say, Mr. Happy or Miss Quick, characters in children's books. " Other than specialist roles in finance or IT, we really don't bother about CVs or qualifications and we certainly don't take much notice of the words written on an application form," Timpson says. " The only thing that matters is personality." As well as more unorthodox methods, firms are turning to AI and other forms of tech to recruit. L' Oreal has introduced virtual reality to its approach, whereby graduates don a headset, take a virtual tour of the French beauty giant's offices, and experience a virtual meeting while having their personality and judgment assessed. Byte London, a marketing technology agency, recently introduced a chatbot (a computer programme that conducts a conversation) to help find employees. Replacing the initial application process, the Facebook Messenger chatbot, named Space Gentleman, asks applicants a series of 10 questions such as: " Do you have the right to work in the UK?", "We wanted to reduce the cost of hiring candidates, improve the quality of candidates applying to Byte and make the application more enjoyable." He adds: "We 're also using it as a soft sell for the agency's personality, helping people work out if they'd be a good fit." Last year, the mini bakery store chain Bagelman ditched the CV as part of the recruitment workshop, where the company could identify people who matched the job. "We were hiring individuals who looked gread on paper with impressive qualifications, but it soon became apparent they didn't share our values. We realised that no matter the qualifications on the CV, it was the person in front of us that mattered." Now Bagelman runs workshops where candidates have to participate in various set tasks. " Candidates who stand out for us will show great customer service, the ability to think on their feet and retain information. A CV can't show us any of that and is open to interpretation." Chris Rowley, a professor at Cass Business School, says companies should be more creative with recruiting but warns that while some methods can reduce the problems with CVs and application forms, which he says have " poor reliability as predictor of job perfomance", you need to be able to justify that decisions are not based on characteristics such as gender, ethnicity or age, but on the job criteria. He advises companies use a mix of CVs, application forms, and semi-structured interviews and tests CVs and application forms _____.
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Read the passage below and answer Questions. (From 51 to 60) Children's books may not form part of the recruitment process for most businesses, but for shoe repair and key-cutting business Timpson, the key to its hiring process is whether the prospective candidate resembles say, Mr. Happy or Miss Quick, characters in children's books. " Other than specialist roles in finance or IT, we really don't bother about CVs or qualifications and we certainly don't take much notice of the words written on an application form," Timpson says. " The only thing that matters is personality." As well as more unorthodox methods, firms are turning to AI and other forms of tech to recruit. L' Oreal has introduced virtual reality to its approach, whereby graduates don a headset, take a virtual tour of the French beauty giant's offices, and experience a virtual meeting while having their personality and judgment assessed. Byte London, a marketing technology agency, recently introduced a chatbot (a computer programme that conducts a conversation) to help find employees. Replacing the initial application process, the Facebook Messenger chatbot, named Space Gentleman, asks applicants a series of 10 questions such as: " Do you have the right to work in the UK?", "We wanted to reduce the cost of hiring candidates, improve the quality of candidates applying to Byte and make the application more enjoyable." He adds: "We 're also using it as a soft sell for the agency's personality, helping people work out if they'd be a good fit." Last year, the mini bakery store chain Bagelman ditched the CV as part of the recruitment workshop, where the company could identify people who matched the job. "We were hiring individuals who looked gread on paper with impressive qualifications, but it soon became apparent they didn't share our values. We realised that no matter the qualifications on the CV, it was the person in front of us that mattered." Now Bagelman runs workshops where candidates have to participate in various set tasks. " Candidates who stand out for us will show great customer service, the ability to think on their feet and retain information. A CV can't show us any of that and is open to interpretation." Chris Rowley, a professor at Cass Business School, says companies should be more creative with recruiting but warns that while some methods can reduce the problems with CVs and application forms, which he says have " poor reliability as predictor of job perfomance", you need to be able to justify that decisions are not based on characteristics such as gender, ethnicity or age, but on the job criteria. He advises companies use a mix of CVs, application forms, and semi-structured interviews and tests A marketing technology agency recently introduced a chatbot (a computer programme that conducts as conversation) to help find employees. What will chatbots be able to reveal? What can't it access and show?
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Read the passage below and answer Questions. (From 51 to 60) Children's books may not form part of the recruitment process for most businesses, but for shoe repair and key-cutting business Timpson, the key to its hiring process is whether the prospective candidate resembles say, Mr. Happy or Miss Quick, characters in children's books. " Other than specialist roles in finance or IT, we really don't bother about CVs or qualifications and we certainly don't take much notice of the words written on an application form," Timpson says. " The only thing that matters is personality." As well as more unorthodox methods, firms are turning to AI and other forms of tech to recruit. L' Oreal has introduced virtual reality to its approach, whereby graduates don a headset, take a virtual tour of the French beauty giant's offices, and experience a virtual meeting while having their personality and judgment assessed. Byte London, a marketing technology agency, recently introduced a chatbot (a computer programme that conducts a conversation) to help find employees. Replacing the initial application process, the Facebook Messenger chatbot, named Space Gentleman, asks applicants a series of 10 questions such as: " Do you have the right to work in the UK?", "We wanted to reduce the cost of hiring candidates, improve the quality of candidates applying to Byte and make the application more enjoyable." He adds: "We 're also using it as a soft sell for the agency's personality, helping people work out if they'd be a good fit." Last year, the mini bakery store chain Bagelman ditched the CV as part of the recruitment workshop, where the company could identify people who matched the job. "We were hiring individuals who looked gread on paper with impressive qualifications, but it soon became apparent they didn't share our values. We realised that no matter the qualifications on the CV, it was the person in front of us that mattered." Now Bagelman runs workshops where candidates have to participate in various set tasks. " Candidates who stand out for us will show great customer service, the ability to think on their feet and retain information. A CV can't show us any of that and is open to interpretation." Chris Rowley, a professor at Cass Business School, says companies should be more creative with recruiting but warns that while some methods can reduce the problems with CVs and application forms, which he says have " poor reliability as predictor of job perfomance", you need to be able to justify that decisions are not based on characteristics such as gender, ethnicity or age, but on the job criteria. He advises companies use a mix of CVs, application forms, and semi-structured interviews and tests Which of the following options is. UNACCEPTABLE and FALSE and will NOT complete the statement correctly? Recruitment workshops _____.
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Read the passage below and answer Questions. (From 51 to 60) Children's books may not form part of the recruitment process for most businesses, but for shoe repair and key-cutting business Timpson, the key to its hiring process is whether the prospective candidate resembles say, Mr. Happy or Miss Quick, characters in children's books. " Other than specialist roles in finance or IT, we really don't bother about CVs or qualifications and we certainly don't take much notice of the words written on an application form," Timpson says. " The only thing that matters is personality." As well as more unorthodox methods, firms are turning to AI and other forms of tech to recruit. L' Oreal has introduced virtual reality to its approach, whereby graduates don a headset, take a virtual tour of the French beauty giant's offices, and experience a virtual meeting while having their personality and judgment assessed. Byte London, a marketing technology agency, recently introduced a chatbot (a computer programme that conducts a conversation) to help find employees. Replacing the initial application process, the Facebook Messenger chatbot, named Space Gentleman, asks applicants a series of 10 questions such as: " Do you have the right to work in the UK?", "We wanted to reduce the cost of hiring candidates, improve the quality of candidates applying to Byte and make the application more enjoyable." He adds: "We 're also using it as a soft sell for the agency's personality, helping people work out if they'd be a good fit." Last year, the mini bakery store chain Bagelman ditched the CV as part of the recruitment workshop, where the company could identify people who matched the job. "We were hiring individuals who looked gread on paper with impressive qualifications, but it soon became apparent they didn't share our values. We realised that no matter the qualifications on the CV, it was the person in front of us that mattered." Now Bagelman runs workshops where candidates have to participate in various set tasks. " Candidates who stand out for us will show great customer service, the ability to think on their feet and retain information. A CV can't show us any of that and is open to interpretation." Chris Rowley, a professor at Cass Business School, says companies should be more creative with recruiting but warns that while some methods can reduce the problems with CVs and application forms, which he says have " poor reliability as predictor of job perfomance", you need to be able to justify that decisions are not based on characteristics such as gender, ethnicity or age, but on the job criteria. He advises companies use a mix of CVs, application forms, and semi-structured interviews and tests Why are new methods of hiring cost-efficient?
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[ADSENSE]
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Read the passage below and answer Questions. (From 51 to 60) Children's books may not form part of the recruitment process for most businesses, but for shoe repair and key-cutting business Timpson, the key to its hiring process is whether the prospective candidate resembles say, Mr. Happy or Miss Quick, characters in children's books. " Other than specialist roles in finance or IT, we really don't bother about CVs or qualifications and we certainly don't take much notice of the words written on an application form," Timpson says. " The only thing that matters is personality." As well as more unorthodox methods, firms are turning to AI and other forms of tech to recruit. L' Oreal has introduced virtual reality to its approach, whereby graduates don a headset, take a virtual tour of the French beauty giant's offices, and experience a virtual meeting while having their personality and judgment assessed. Byte London, a marketing technology agency, recently introduced a chatbot (a computer programme that conducts a conversation) to help find employees. Replacing the initial application process, the Facebook Messenger chatbot, named Space Gentleman, asks applicants a series of 10 questions such as: " Do you have the right to work in the UK?", "We wanted to reduce the cost of hiring candidates, improve the quality of candidates applying to Byte and make the application more enjoyable." He adds: "We 're also using it as a soft sell for the agency's personality, helping people work out if they'd be a good fit." Last year, the mini bakery store chain Bagelman ditched the CV as part of the recruitment workshop, where the company could identify people who matched the job. "We were hiring individuals who looked gread on paper with impressive qualifications, but it soon became apparent they didn't share our values. We realised that no matter the qualifications on the CV, it was the person in front of us that mattered." Now Bagelman runs workshops where candidates have to participate in various set tasks. " Candidates who stand out for us will show great customer service, the ability to think on their feet and retain information. A CV can't show us any of that and is open to interpretation." Chris Rowley, a professor at Cass Business School, says companies should be more creative with recruiting but warns that while some methods can reduce the problems with CVs and application forms, which he says have " poor reliability as predictor of job perfomance", you need to be able to justify that decisions are not based on characteristics such as gender, ethnicity or age, but on the job criteria. He advises companies use a mix of CVs, application forms, and semi-structured interviews and tests Which of the statements below is true in light of your understanding of the passage?
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Read the passage below and answer Questions. (From 51 to 60) Children's books may not form part of the recruitment process for most businesses, but for shoe repair and key-cutting business Timpson, the key to its hiring process is whether the prospective candidate resembles say, Mr. Happy or Miss Quick, characters in children's books. " Other than specialist roles in finance or IT, we really don't bother about CVs or qualifications and we certainly don't take much notice of the words written on an application form," Timpson says. " The only thing that matters is personality." As well as more unorthodox methods, firms are turning to AI and other forms of tech to recruit. L' Oreal has introduced virtual reality to its approach, whereby graduates don a headset, take a virtual tour of the French beauty giant's offices, and experience a virtual meeting while having their personality and judgment assessed. Byte London, a marketing technology agency, recently introduced a chatbot (a computer programme that conducts a conversation) to help find employees. Replacing the initial application process, the Facebook Messenger chatbot, named Space Gentleman, asks applicants a series of 10 questions such as: " Do you have the right to work in the UK?", "We wanted to reduce the cost of hiring candidates, improve the quality of candidates applying to Byte and make the application more enjoyable." He adds: "We 're also using it as a soft sell for the agency's personality, helping people work out if they'd be a good fit." Last year, the mini bakery store chain Bagelman ditched the CV as part of the recruitment workshop, where the company could identify people who matched the job. "We were hiring individuals who looked gread on paper with impressive qualifications, but it soon became apparent they didn't share our values. We realised that no matter the qualifications on the CV, it was the person in front of us that mattered." Now Bagelman runs workshops where candidates have to participate in various set tasks. " Candidates who stand out for us will show great customer service, the ability to think on their feet and retain information. A CV can't show us any of that and is open to interpretation." Chris Rowley, a professor at Cass Business School, says companies should be more creative with recruiting but warns that while some methods can reduce the problems with CVs and application forms, which he says have " poor reliability as predictor of job perfomance", you need to be able to justify that decisions are not based on characteristics such as gender, ethnicity or age, but on the job criteria. He advises companies use a mix of CVs, application forms, and semi-structured interviews and tests Which of the following inference may be drawn from the following statement? Chris Rowley _____ warns that____ you need to be able to justify that decisions are not based on characteristics such as gender, ethnicity or age, but on the job criteria.
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Read the passage below and answer Questions. (From 51 to 60) Children's books may not form part of the recruitment process for most businesses, but for shoe repair and key-cutting business Timpson, the key to its hiring process is whether the prospective candidate resembles say, Mr. Happy or Miss Quick, characters in children's books. " Other than specialist roles in finance or IT, we really don't bother about CVs or qualifications and we certainly don't take much notice of the words written on an application form," Timpson says. " The only thing that matters is personality." As well as more unorthodox methods, firms are turning to AI and other forms of tech to recruit. L' Oreal has introduced virtual reality to its approach, whereby graduates don a headset, take a virtual tour of the French beauty giant's offices, and experience a virtual meeting while having their personality and judgment assessed. Byte London, a marketing technology agency, recently introduced a chatbot (a computer programme that conducts a conversation) to help find employees. Replacing the initial application process, the Facebook Messenger chatbot, named Space Gentleman, asks applicants a series of 10 questions such as: " Do you have the right to work in the UK?", "We wanted to reduce the cost of hiring candidates, improve the quality of candidates applying to Byte and make the application more enjoyable." He adds: "We 're also using it as a soft sell for the agency's personality, helping people work out if they'd be a good fit." Last year, the mini bakery store chain Bagelman ditched the CV as part of the recruitment workshop, where the company could identify people who matched the job. "We were hiring individuals who looked gread on paper with impressive qualifications, but it soon became apparent they didn't share our values. We realised that no matter the qualifications on the CV, it was the person in front of us that mattered." Now Bagelman runs workshops where candidates have to participate in various set tasks. " Candidates who stand out for us will show great customer service, the ability to think on their feet and retain information. A CV can't show us any of that and is open to interpretation." Chris Rowley, a professor at Cass Business School, says companies should be more creative with recruiting but warns that while some methods can reduce the problems with CVs and application forms, which he says have " poor reliability as predictor of job perfomance", you need to be able to justify that decisions are not based on characteristics such as gender, ethnicity or age, but on the job criteria. He advises companies use a mix of CVs, application forms, and semi-structured interviews and tests Which of the following option provides an accurate interpretation of the following statement? CVs and applications forms ____ have " poor reliability as predictor of job performance".
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Read the passage below and answer Questions. (From 51 to 60) Children's books may not form part of the recruitment process for most businesses, but for shoe repair and key-cutting business Timpson, the key to its hiring process is whether the prospective candidate resembles say, Mr. Happy or Miss Quick, characters in children's books. " Other than specialist roles in finance or IT, we really don't bother about CVs or qualifications and we certainly don't take much notice of the words written on an application form," Timpson says. " The only thing that matters is personality." As well as more unorthodox methods, firms are turning to AI and other forms of tech to recruit. L' Oreal has introduced virtual reality to its approach, whereby graduates don a headset, take a virtual tour of the French beauty giant's offices, and experience a virtual meeting while having their personality and judgment assessed. Byte London, a marketing technology agency, recently introduced a chatbot (a computer programme that conducts a conversation) to help find employees. Replacing the initial application process, the Facebook Messenger chatbot, named Space Gentleman, asks applicants a series of 10 questions such as: " Do you have the right to work in the UK?", "We wanted to reduce the cost of hiring candidates, improve the quality of candidates applying to Byte and make the application more enjoyable." He adds: "We 're also using it as a soft sell for the agency's personality, helping people work out if they'd be a good fit." Last year, the mini bakery store chain Bagelman ditched the CV as part of the recruitment workshop, where the company could identify people who matched the job. "We were hiring individuals who looked gread on paper with impressive qualifications, but it soon became apparent they didn't share our values. We realised that no matter the qualifications on the CV, it was the person in front of us that mattered." Now Bagelman runs workshops where candidates have to participate in various set tasks. " Candidates who stand out for us will show great customer service, the ability to think on their feet and retain information. A CV can't show us any of that and is open to interpretation." Chris Rowley, a professor at Cass Business School, says companies should be more creative with recruiting but warns that while some methods can reduce the problems with CVs and application forms, which he says have " poor reliability as predictor of job perfomance", you need to be able to justify that decisions are not based on characteristics such as gender, ethnicity or age, but on the job criteria. He advises companies use a mix of CVs, application forms, and semi-structured interviews and tests Identify the meaning that is closest to the highlighted word in the sentence below, according to the context in which it is used in the passage: As well as more unorthodox methods, firms are turning to AI and other forms of tech to recruit.
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Read the passage below and answer Questions. (From 51 to 60) Children's books may not form part of the recruitment process for most businesses, but for shoe repair and key-cutting business Timpson, the key to its hiring process is whether the prospective candidate resembles say, Mr. Happy or Miss Quick, characters in children's books. " Other than specialist roles in finance or IT, we really don't bother about CVs or qualifications and we certainly don't take much notice of the words written on an application form," Timpson says. " The only thing that matters is personality." As well as more unorthodox methods, firms are turning to AI and other forms of tech to recruit. L' Oreal has introduced virtual reality to its approach, whereby graduates don a headset, take a virtual tour of the French beauty giant's offices, and experience a virtual meeting while having their personality and judgment assessed. Byte London, a marketing technology agency, recently introduced a chatbot (a computer programme that conducts a conversation) to help find employees. Replacing the initial application process, the Facebook Messenger chatbot, named Space Gentleman, asks applicants a series of 10 questions such as: " Do you have the right to work in the UK?", "We wanted to reduce the cost of hiring candidates, improve the quality of candidates applying to Byte and make the application more enjoyable." He adds: "We 're also using it as a soft sell for the agency's personality, helping people work out if they'd be a good fit." Last year, the mini bakery store chain Bagelman ditched the CV as part of the recruitment workshop, where the company could identify people who matched the job. "We were hiring individuals who looked gread on paper with impressive qualifications, but it soon became apparent they didn't share our values. We realised that no matter the qualifications on the CV, it was the person in front of us that mattered." Now Bagelman runs workshops where candidates have to participate in various set tasks. " Candidates who stand out for us will show great customer service, the ability to think on their feet and retain information. A CV can't show us any of that and is open to interpretation." Chris Rowley, a professor at Cass Business School, says companies should be more creative with recruiting but warns that while some methods can reduce the problems with CVs and application forms, which he says have " poor reliability as predictor of job perfomance", you need to be able to justify that decisions are not based on characteristics such as gender, ethnicity or age, but on the job criteria. He advises companies use a mix of CVs, application forms, and semi-structured interviews and tests Identify the correct synonym of the highlighted word in the sentence given below, according to the context in which it is used in the passage: L' Oreal has introduced virtual reality to its approach, whereby graduates don a headset.
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[ADSENSE]
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Fill in the blanks to the following sentence complete, correct and meaningful: _____ there is major hiccup in the next few days, an incredibly powerful company will shortly be given a license to dominate world farming.
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Fill in the blanks to make the following sentence complete, correct and meaningful: ____ Powerful lobbying in Europe and _____ political arm-twisting on several continents, the path has been cleared for Monsanto, the world's _____ seed company, to be taken over by Bayer
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Fill in the blanks to make the following sentence complete, correct and meaningful. Bayer- Monsato will have an indirect impact ____ every consumer and a direct one _____ most farmers ____ Britain, the EU and the US. It will effectively control most ____ the world's GM crop genetic traits, as will as much of the data ____ what farmers grow where, and the yields they get.
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Fill in the blanks to make the following sentence complete, correct and meaningful. Backed ____ governments and enabled___ world trade rules and intellectual property laws, Bayer-Monsanto has been allowed to control much _____ the world's supply ____ seeds.
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Fill in the blanks to make the following sentence complete, correct and meaningful. The corporates ____ that only consolidation ____ that development of better seed varieties and the innovations needed to avert global hunger and malnutrition, as the world population _____ to around 10 billion people in a few decades' time.
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[ADSENSE]
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Part of a sentence (or two) are given as options and the are jumbled up. One of the options contains an error that renders the unjumbled sentence wrong ungrammatical. Identify the part/option which contains the error:
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Part of a sentence (or two) are given as options and the are jumbled up. One of the options contains an error that renders the unjumbled sentence wrong ungrammatical. Identify the part/option which contains the error:
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Part of a sentence (or two) are given as options and the are jumbled up. One of the options contains an error that renders the unjumbled sentence wrong ungrammatical. Identify the part/option which contains the error:
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Part of a sentence (or two) are given as options and the are jumbled up. One of the options contains an error that renders the unjumbled sentence wrong ungrammatical. Identify the part/option which contains the error:
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Part of a sentence (or two) are given as options and the are jumbled up. One of the options contains an error that renders the unjumbled sentence wrong ungrammatical. Identify the part/option which contains the error:
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[ADSENSE]
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Part of a sentence (or two) are given as options and the are jumbled up. One of the options contains an error that renders the unjumbled sentence wrong ungrammatical. Identify the part/option which contains the error:
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Part of a sentence (or two) are given as options and the are jumbled up. One of the options contains an error that renders the unjumbled sentence wrong ungrammatical. Identify the part/option which contains the error:
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Part of a sentence (or two) are given as options and the are jumbled up. One of the options contains an error that renders the unjumbled sentence wrong ungrammatical. Identify the part/option which contains the error:
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Part of a sentence (or two) are given as options and the are jumbled up. One of the options contains an error that renders the unjumbled sentence wrong ungrammatical. Identify the part/option which contains the error:
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Part of a sentence (or two) are given as options and the are jumbled up. One of the options contains an error that renders the unjumbled sentence wrong ungrammatical. Identify the part/option which contains the error:
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[ADSENSE]
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In the sentence given below a phrase/clause is missing, indicated through a blank. Identify the option that can fill in the blank and completed the sentence correctly and meaningfully: Instead of working in a well-funded research institute, _____ Deb is now part of the worldwide farmers' movement to limit corporate control and to redefine what knowledge is , and who owns it.
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In the sentence given below a phrase/clause is missing, indicated through a blank. Identify the option that can fill in the blank and completed the sentence correctly and meaningfully: To point the finger at farming as the cause of environmental degradation through intensification makes no sense, ____ in that time-increased house building, more roads, and more cars on those roads - and the impact they have had on the country's landscape.
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In the sentence given below a phrase/clause is missing, indicated through a blank. Identify the option that can fill in the blank and completed the sentence correctly and meaningfully: Improving the way we farm in harmony with wildlife, while not decreasing food production, _____ that focuses purely on agriculture.
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In the sentence given below a phrase/clause is missing, indicated through a blank. Identify the option that can fill in the blank and completed the sentence correctly and meaningfully: I was shocked to find a six-year-old girl who did not know what a potato was. She agreed that she liked eating chips and crisps, but was very skeptical that _____.
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In the sentence given below a phrase/clause is missing, indicated through a blank. Identify the option that can fill in the blank and completed the sentence correctly and meaningfully: There is actually quite a broad consensus on many of the most fundamental questions of public life: _____ and in politics there is a similarly support for representative democracy and governments that place a high value on fairness and diversity.
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[ADSENSE]
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Identify the option that converts the statement below into a question, without any distortion: We describe the variety of ecological and evolutionary consequences that may result from humans encountering wildlife.
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Identify the option that converts the statement below into a question, without any distortion: If all school children were given free, healthy breakfasts and lunches they would have less room in their stomachs for junk.
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Identify the option that converts the statement below into a question, without any distortion: America's sustainable food movement has been steadily growing yet the movement is predominantly white.
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Rewrite the statement below into a question, so as to derive the highlighted part as the answer: The expression ' food desert' calls to mind desolate places, not places with enormous potential.
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Rewrite the statement below into a question, so as to derive the highlighted part as the answer: The idea that giving people the ability to grow their own food and giving up soda for water would make people's conditions better is ridiculously naive
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Identify the option that restates the comparison using a positive adjective, without any change of meaning: Nature-based tourism is huge as more people visit natural areas than there are people on Earth!
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Identify the option that restates the comparison using a positive adjective, without any change of meaning: We use the computers in our pockets, known as 'phones' more those on our desks of laps.
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Identify the option that restates the comparison using a positive adjective, without any change of meaning: The belief that everyone coding would solve anyone's problems has been shown up as the ludicrous one.
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Identify the option that restates the comparison using a positive adjective, without any change of meaning: Simple nature-based tourism is supposed to be not as good as ecotourism, natural-area tourism driven by concern for environmental conservation, social welfare, and local economic development.
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Identify the option that restates the comparison using a positive adjective, without any change of meaning: Wireless is the most preferred mode of operation today.
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[ADSENSE]
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The parts of a sentence given below when rearranged, form a grammatical sentence. Identify the option that presents the correct order: A. and tragically, never seen from the other half of the Earth B. forever but at some point in the far future reach a stable C. John's hypothesis is that the moon will not retreat from Earth D. distance when it will be visible only from one half of Earth
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The parts of a sentence given below when rearranged, form a grammatical sentence. Identify the option that presents the correct order: A. "digital nutrition", likens media diets to B. what's no our plates: rather counting calories C. or screen time, think about what you're eating D. a psychologist who specializes in the concept of
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The parts of a sentence given below when rearranged, form a grammatical sentence. Identify the option that presents the correct order: A. the name ' applied science' could be given, but B. there exists no category of science to which C. we have science and the application of science D. which are united as the fruit is to the tree
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The parts of a sentence given below when rearranged, form a grammatical sentence. Identify the option that presents the correct order: A. and far from being relaxing, having nothing to do, to get through B. so many so-called "empty workers" find it really tough as C. the day, they had to work on a novel, played video games or just slept D. their workloads take up less than half the time spent at work
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The parts of a sentence given below when rearranged, form a grammatical sentence. Identify the option that presents the correct order: A. given that obesity is more prevalent among B. in health inequality between the rich and the poor. C. lower socioeconomic classes, interventions D. such as the Daily Mile could help to close the gag
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[ADSENSE]
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Rewrite the given sentence, using modal verbs, without any change of meaning or distortion: The weather bureau announced the likelihood of the deep depression becoming stronger and possibility of it turning into a cyclone.
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Fill in the blanks with the appropriate modal verbs: I _____ wear the regimental sash to attend the funeral parade of my former Commander. So, I ____ instruct my orderly to keep it ready.
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Fill in the blanks with the appropriate modal verbs: The Judge pointed out to the plaintiff-wife, "The contract says' ____ to given alimony' - there is no obligation or compulsion. Notwithstanding this, we _____ admit what the contract says earlier, ' _____ a stipend her lifetime' which makes payments to you compulsory and obligatory,"
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Fill in the blanks with the appropriate modal verbs, making sure the sentences are grammatical: The indifferent chocolate industry, If it wants, _____ to prevent the spread of health myths associated with chocolate. Chocolate is a treat you, as a rule, ____ enjoy occasionally and in small portions, not a health food.
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Identify the option that will fill in the blanks with appropriate modal verbs: It is raining heavily, You _____ go school today.
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[ADSENSE]
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Convert and rewrite the sentence below into a compound one, with two independent clauses: Slowly slices of Britain's hidden history are being revealed as the public learn more and more about the activities of undercover police officers.
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Convert and rewrite the sentence below into a sentence with just one independent clause: Some scholars are keen to believe that genuine traditions lie beneath the superficial literary encrustation, while others are inclined to minimise these elements
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Convert the following sentence into a compound sentence: The Children's Commissioner has warned that social media firms must switch of addictive technology.
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Convert the following sentence into a compound sentence: Without a bus service, a village dies, Some people can't even stay in their own homes. They must go into homes.
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Convert the following sentence into a simple sentence: Expensive train commutes are for the allimportant middle class, while buses ferry about the poor.
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[ADSENSE]
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Convert the following sentence into a compound sentence: Most council leaders, who decide how to spend the transport budget, are men.
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Convert the following sentence into a compound sentence: A majority strongly self-identifies as English. The only subset exceptions, though they are important ones, are black and minority-ethnic adults
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Rewrite the sentence in direct speech into corresponding reported speech: "It has taken us all surprise. Customer are saying can you do more," he said. " I think the vegan and flexitarian marked is the first major food trend that has come out social media.
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Rewrite the sentence in direct speech into corresponding reported speech: He told the reporter, " When someone is murdered it is clear: the courts must prosecute the criminal. Yet when we talk about genocide, or crimes against humanity, people start looking or arguments,"
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Rewrite the sentence in direct speech into into corresponding reported speech:
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[ADSENSE]
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Rewrite the sentence into the other voice, without change of meaning. Waitrose this week launched dedicated vegan sections in more than 130 stores
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Change the voice of the following sentence without changing its meaning. Archaeologists unearthed the figurine in 2017 during excavations as a site called ' Abel Beth Maacah
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Rewrite the sentence into the other voice, without changing its meaning. Antarctic ice cores provide a history of the atmosphere for thousands of years and make known carbon dioxide levels reached a distinct minimum around 1610.
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Rewrite the sentence into the other voice, without changing its meaning. Researchers suggest effects of the colonial era can be detected in rocks or even air.
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Rewrite the sentence into the other voice, without changing its meaning. Exciting young people about STEM and its endless possibilities will set them on an exciting path and could lead to a fulfilling and rewarding career in engineering and technology.
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[ADSENSE]
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Rewrite the sentence into the other voice without changing its meaning. The weight of evidence indicates that humans are not unique in possessing the neurological substrates that generate consciousness.
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Identify the option that converts and restates the following sentence using a rejected, impossible condition: If they fail, the future of food will go into the hand of three giant companies that are wedded to genetic modification.
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Identify the option that converts the sentence fully and correctly into a sentence that states a real and open condition: Many of the poorest farmers use the system of rice intensification (SRI), which dramatically increase yields of rice, wheat, and potato.
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Read the sentence below, which states an open condition. Identify the option that converts it correctly into a sentence that states an unreal and rejected condition: If more studies show how antibiotics interfere with immunotherapy, it may be possible to show how intestinal flora can help new cancer treatments.
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Read the sentence below, which states an open condition. Identify the option that converts it correctly into a sentence that states an unreal and rejected condition: If we went to close the boardroom gender gap, we need to stop helping women and start fixing workplaces.
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The letter violates all that we associate with a formal letter, Identify the superficial features of this letter, unacceptable as they are, which you will IMMEDIATELY change, before you go on to revise the letter and make its language, tone and style formal.
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You are required to make an official announcement at your workplace, which will not be private or individual to individual. For the message to have the utmost impact on the audience, you will get it printed and distributed later. Which one of the following given options would you employ?
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When you send an e-mail in your official capacity as the CEO of an organisation to the CEO of another one, who happens to be vender whose absence will sever the supply chain, escalating an old complaint, what will be your initial and last sentence in the body, after your greeting and before your signing off?
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This is a condensed version of a business report; it includes a conclusion and ( a set of) recommendations. It does NOT indicate the writer's orientation, agenda or significanceunderstanding. What is it called?
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Which one of the following options is a proper thesis-statement, fit to be developed into an argumentative essay?
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[ADSENSE]
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Which ONE of the following options is a proper thesis-statement, fit to be developed into an argumentative essay?
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Identify the option that does not deal with this specific issue: How does a writer communicate better with his audience? It could be a letter to the editor, an essay, a report of any such piece of continuous writing { composition}?
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Read the two sentence given below: • Films will continue to entice insecure teenagers who have been hypnotised by the glamour and the glamourous lifestyle of those associated with it and who dream of the money they would earn and adult-addicts for their love of the medium. • Films will continue to entice adult-addicts for their love to the medium and insecure teenagers who have been hypnotised by the glamour, who dream of money they would earn and the glamorous lifestyle of those associated with it. Teachers of ' Writing' would advise you to use the second sentence (or similar structures). Identify the option that properly explains the reasons for such a preference:
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Which one of the following is NOT an effective feature of an e-cover letter?
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Which one of the following should a letter of complaint AVOID and NOT include?
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[ADSENSE]
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Once you employ a chart in your report/essay, what should you NOT attempt in explaining it and developing your ideas in the body?
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The sentence of paragraph are given in jumbled order and labelled, A, B, C, D, E and F below. One of the sentence offers a digression. Identify the digressing sentence: A. Indian Buddhist analysis of the mind spans a period of some 15 centuries from the earliest discourses of the Buddha to the systematic developments of late Mahayana Buddhism. B. Perhaps no other classical philosophical tradition. East of West, offer a more complex and counter-intuitive account of mind and mental phenomena than Buddhism C. Philosophical accounts of mind emerge within scholastic traditions but tracing their roots necessarily uniquely to Buddha's teachings of the not-self doctrine is fanciful. D. Rather, Buddhist theories of mind center on the doctrine of not-self, which postulate that human being are reducible to the physical and psychological constituents and processes which comprise them. While Buddhists share with other Indian philosophers the view that the domain o the mental encompasses a set of interrelated faculties and processes, the do not associated mental phenomena with the activity of a substantial, independent, and enduring self of agent.
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Identify the option that provides the missing phrases in the paragraphs given below: The argument and though-experiment now generally known as the 'Chinese Room Argument' was first published in a paper in 1980 by American philosopher John Searle. It has become one of the best-known arguments in recent philosophy. A. _______ following a computer program for responding to Chines characters slipped under the door. Searle understand nothing of Chinese, and yet, by following the program for manipulating symbols and numerals just as a computer does, he produces appropriate strings of Chinese characters. B. _____ the narrow conclusion of the argument is that programming a digital computer may make in appear to understand language but does not produce real understanding. Hence the " Turing Test" is inadequate. Searle argues that the though experiment underscores the fact that computers merely use syntactic rules to manipulate symbol strings, but have no understanding of meaning of semantics. C. _____ that the theory that human minds are computer - like computational or information processing systems is refuted. Instead minds must result from biological processes: computers can at best simulate these biological processes. Thus the argument has large implications for semantics, philosophy of language and mind, theories of consciousness, computer science and cognitive science generally. D. _____ there have been many critical replies to the argument.
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Which option provided the two missing sentence, A and B in the paragraph given below? On 7 March 2014 at 16:42, flight MH370 departed from KL bound for Beijing. Initially, everything about the flight proceeded as normal. The Mode S transponder system on board the aircraft was responding as expected to interrogation from the ATC Secondary Surveillance Radar up to the time when it was lost on the ATC radar screen at 17:21:13. A. __________ B. __________ This message contained a collation of six reports generated at five-minute intervals by the system from 16:41:43 until 17:06:43. These reports contained information about the aircraft position and motion such as latitude, longitude. altitude, air temperature, air speed, wind direction, wind speed, and true heading
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Identify the option that continues the following discussion appropriately: • The melting of Antarctica is accelerating at a alarming rate. • An international team of ice experts said in a new study that about 3 trillion tons of ice have disappeared since 1922. • From 1992 to 2011, Antarctica lost nearly 84 billion tons of ice a year (76 billion metric tons). • __________ • __________ • All that water made global oceans rise about three-tenths of a inch (7.6 millimeters).
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Identity the option that gives the correct order of the sentences below, and helps it become a paragraph: A. There is an early need to standardize charging infrastructure/equipment to ensure interoperability and make it widespread. B. The country aims to set up more than 4.8 million charging points at investment of almost $20 billion by 2020. C. Similarly, China has standardised charging infrastructure to ensure increase usage and set up 16,000 charging points across the country. D. For the alternative mobility technologies to settle, an enabling infrastructure is required. E. European OEMs have formed a consortium, 'Ionity' to provide interoperable charging points across the continent. F. China has regulations to include charging infrastructure in all residential buildings. India needs to start learning from global examples to push enabling infrastructure.
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The first five sentence of the paragraph given below are in a jumbled order. Identify the option that gives their correct order. A. Of the total vehicular pollution, 40% to 45% comes from two-wheelers and another 30% to 35% from four wheelers. B. The movement away from kerosene, coal and wood fires for cooking will have a big impact on domestic activity. C. The other area that is already critical and will keep getting worse, unless checked, is vehicular emission. D. We need to speed up the journey towards LPG and solar-powered stoves. E. Just vehicular pollution contributes around 35% of the total PM 2.5 emissions today. In a future with internal combustion engines (ICE) vehicles, urban pollution will continue to remain 25% to 30% above safe global standards because of the growth in automobiles. This is where our focus needs to be.
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Study the paragraph given below. Two sentences, other than first one, state the same idea. It is enough one of them is retained and the other can be dropped. Identify the pair - keep it in mind that either of them could be deleted. A. What is the carbon bubble and what will happen if it bursts? B. This carbon bubble has been estimated at between $1 trillion and $4 trillion (£3 trillion), a large chunk of the global economy's balance sheet. C. Investments amounting to trillions of dollars in fossil fuels - coal mines, oil wells power stations, conventional vehicles - will lose their value when the world moves decisively to a low-carbon economy. D. Fossil fuel reserves and production facilities will become stranded assets, having absorbed capital but unable to be used to make a profit. E. Currently, fossil fuel prices do not reflect the environmental damage the fuels do, in climate change and air and water pollution. F. As the world moves towards as low-carbon economy, fossil fuel investments worth trillions of dollars, from oil wells to cars, will lose their value.
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Identify the correct sequence of ideas and the letter of the sentence that disrupts the unity of the paragraph. The organic movement was founded on the pioneering work of Sir Alfred Howard. A. There are other agricultural models, such as biodynamic farming and permaculture. B. Organic and biodynamic meats have labels, regenerative farming, as yet, does not-so you need to investigate your farmer yourself. C. More recently some innovators have been fusing technology with environmental principles D. It is still relatively small - in Europe 5.7% of agricultural land is under this movement - but influential. E. Agroforestry, silvopasture, or regenerative agriculture create farming methods which all encompass carbon sequestration, high biodiversity and good animals welfare.
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Identify the option that suggests a better sequencing of ideas expressed in the bulleted list, keeping in mind the proposition developed in the sentence itself: Throughout human history the hunting and farming of meat has been part of our stories and mythologies and some of our legal and religious systems: 1. even the roasted wild boars consumed at the end of very adventure by Asterix and Obelix 2. the sacrificial sheep to mark the beginning of Eid Al-Adha 3. the medieval forest laws that created areas where no one English royalty could hunt 4. the fatted calf for the prodigal son
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Read the ' letter to the editor' given below: Identify the option that describes that relationship between the second and the third sentences: This refers to ' Sanitation and state capacity' by by xxxx (Xx October 14). I couldn't agree more with the writer on why ' Swachh Bharat must go beyond building physical infrastructure". Cooperation across departments as well as roping in civic bodies and, most importantly, citizens remain the most critical bottlenecks for many of the government's abhiyans. Waste management must be addressed as a priority. Issues like recycling and processing domestic and commercial electronic waste, which is growing exponentially, require a more sophisticated approach than landfill dumping. IS Yyy.
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Read the 'letter to the editor' given below: Identify the option that describes the relationship between the second and the third sentences. The recent hype created by the media over the mauling of a visitor by a white tiger at the Delhi Zoo Portrays the animal as a bloodthirsty monster ('A Zoo tragedy', xx, September 24). While it is sad that a young life was lost due to the negligence of the Zoo authorities, it certainly wrong to paint an animal born and raised in captivity as an evil brute. Given the shouting and the stones being pelted on the tiger, even the calmest animals could be provoked into turning aggressive. There should be greater focus on instilling discipline among people who visit the zoo. - BS zzz
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Identify the option that specifies the defect in this letter: It is not surprising to see the continued hounding of author Perumal Murugan for exercising his fundamental right to freedom of speech and expression ('Murugan, wife apply for transfer from college to avoid book row', IE, February 4). So do many nations. I remembers discussing this issue with a few Americans in Washington. Washington is such an impressive city, full of administrators? That is why Amartya Sen immortalised the idea of "the argumentative Indian", I am with you, Mr Murugan, and with other like you - nd xxx.
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Identify the option that specifies the defect in the following letter: I DO not agree with the editorial, 'Take Rajasthan's cue' ( Xx, September 24). Toilets and playground are integral to any learning environment. It should also periodically review the pedagogy. A lower emphasis on toilets is also likely to have a negative impact on girls' education, since the lack of toilets in schools is a major reason for them dropping out. The government should address the issue of learning outcomes through a multi-pronged approach. It should raise the standard for teacher selection. The suggestion of overlooking the teacher-student ratio criteria is ironic, since that is also bound to affect learning outcomes. -AS XXx
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Which of the tragic heroes of Shakespeare exemplify the Aeschylean notion of " knowledge through suffering" (redemption)?
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[ADSENSE]
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Which of the options does NOT describe an essential feature of a ' blank verse'?
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The Romantic period, which ran between the publication of ' Lyrical Ballads' and the passing of 'Reform bills', emphasised the following mentioned in the options. One of the options in not related to the ideals of the Romantic period. Identify it:
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Gothic novels are tales of mystery and horror. They rely heavily on _______. Identify the wrongly attributed feature.
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The Shakespearean sonnet consisted of:
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These lines are from Herbert's 'Redemption' The poem uses an extended metaphor and is allegorical in nature. It is also a parable - a parable of tenants. At length I heard a ragged noise and mirth Of theeves and murderers: there I him espied, Who straight, Your suit is granted, said & died. Identify the best possible inference and generalisation of the poem:
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[ADSENSE]
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Identify the correct option. Which one of the following plays by Shakespeare makes use of a framing structure called Induction?
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Dr, Johnson made this observation about a play by Shakespeare: to waste criticism upon unresisting imbecility, upon faults too evident for detection, and too gross for aggravation.
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Which one of the following plays by Shakespeare does NOT employ a chorus or a character playing a role similar to that of a chorus?
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Identify what Sidney DID NOT say about of on history.
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Comedy of humours use the Medieval and Renaissance medical theory that the human body held a balance of four liquids. When property balanced, these humours were though to give the individual a healthy mind in a healthy body. The options below lists the four humours. But one of them is INCORRECT. Identify the INCORRECT option:
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[ADSENSE]
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In which of the following poems did Milton invoke the goddesses of Mirth and Melancholy?
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The practice of recording conversation and sayings of the famous became especially popular in the 17th century. This material is especially useful for biographer and can be a from of literary biography in itself'. One of the best-known examples of this is:
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• This famous novel by Sir Walter Scott has Elizabeth I as a character. • It is centered around the life and death of the Countess of Leicester and the ambition of her husband -- sharing the crown of his sovereign, Elizabeth I Identify the novel.
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Identify the option that names the poet and the poem from which these lines are taken. We decay Like corpses in a charnel, the creative spirit of Adonais, like a star, Beacons from the abode where the Eternal are.
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• ' Thyrsis' [a monody] is an elegiac poem by Matthew Arnold. It is considered one of Arnold's finest poems. • 'Thyrsis' is a traditional Greek name for a shephered-poet.
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[ADSENSE]
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What is the name of the old man in London who teaches young homeless boys how to be pickpockets and then fences their stolen goods and is executed for complicity in a murder in Dickens's Oliver Twist'?
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Fill in the blank by choosing the correct option: Hemingway employs_____ to narrate the tale of ' The Old Man and the Sea'.
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What does that scarlet letter stand for in ' The Scarlet Letter'? Why is the colour scarlet used here?
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What is the fly in Emily Dickinson's poem 'I heard a fly buzz- when I died'?
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Name the play by George Bernard Shaw which is about war between the gender, shows woman as conqueror and posits that in the battle between instinct and intelligence, instinct always wins. This play has Don Juan as a Shavian hero in England at the turn of the century.
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[ADSENSE]
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Miller wrote in 1949, "The quality in such plays [ i.e. tragedies] that does shake us--- derives from the underlying fear for being displaced, the disaster inherent in being torn away from our chosen image of what and who we are in this world. Among us today this fear is as strong, and perhaps stronger, than it ever was. In fact, it is the common man who knows this fear best." Which play of his illustrates the highlighted clause?
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In this poem, T.S. Eliot reflects upon language, time, and history. The poem itself could be read as a clear meditation on time. Identify the poem.
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The Oxford Dictionary defines drama as 'a play or theatre, radio, or television, as a genre of style of literature and as the activity of acting.' What is the impact of television on the literariness of English drama? In which aspect of drama as theatre is the influence most palpable?
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Hopkins' 'Pied Beauty' is a unique example of a curtal sonnet. Explain the significance of these lines and the echo of an image by another poet. All things counter, original, spare strange; Whatever is fickle, freckled (who knows how?) With swift, slow; sweet, sour; adazzle, dim; He fathers-forth whose beauty is past change:
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Yeats laments in Easter 1916. "All changed, changed utterly:/A terrible beauty is born." Explain the nature of the change and the terrible beauty referred to here.
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Identify the correct option and complete the observation: In the novels seeking the most objective narrative method of all, the device of the storyteller who does not understand the story he is telling, the technique of the "unreliable observer" was by James Joyce and other writers. The reader, understanding better than the narrator, had the illusion of receiving the story directly. The device that Joyce employs towards achieving this is known _____.
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This dramatist was the first to use characters pared down to basic existential elements and as symbols to reiterate his Stygian [ = unpleasantly dark] views of the human condition; he is also known as the one who initiated the Theatre of the Absurd. Identify the dramatist from the option given.
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In the following lines, what is it that Nissim Ezekiel is referring to? There is a place to which I often go, Not by planning to, but by a flow Away from all existence, to a cold Lucidity, whose will is uncontrolled. Here, the mills of God are never slow.
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Mahbub Ali in Kipling's 'Kim' tells Kim, ' Here begins the great game.' identify the option that offers the most relevant and clear interpretation of the statement.
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The tortuous initiation into modern life, mimicked sans philosophical over - or undertones, in an imaginary land, the partfeudal, part-modern setting of inchoate longing and vague dissatisfactions and intellectual impotence of the marginalised upper caste protagonists, and the confused inner life of a fragmented makeshift pre-colonial society that has yet to figure out its past of future are the concerns of this novelist, according to a critic. identify the novelist.
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[ADSENSE]
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Identify the correct opton. Mulk Raj Anand's Munoo in 'The Coolie' is essentially and ultimately a victim of different oppression in society compared to that which Bakha in 'The Untouchables', goes through in a day. What is the other crucial difference between the two characters, when all that is stated and on the surface is understood, that could be inferred?
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Identify the correct option. Which of the following authors below CANNOT be classified under ' Caribbeam Literature'?
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Identify the correct option. 'The Road' by Soyinka depicts the Nigerian experiences during the middle of the twentieth century, and it reflects the roles played by drugs, criminals, corrupt policemen, and unscrupulous politicians. This line is from The Road' of Wole Soyinka : " May we never walk when the road waits, famished. " Explains the significance of this line.
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What makes women writers in Indian Writing in English stand out?
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Who said this? Magic realism, at least as practiced by Marquez, is a developments out of Surrealism that expresses a genuinely " Third World" consciousness ---- He is not writing about Middle-earth, but about the one we all inhabit. Macondo exists. That is its magic.
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[ADSENSE]